English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. The season features music for solo singer and piano by Argento, Britten, Tippett and Shostakovich with a bold and inventive approach to making opera during social distancing.
Conductor Oliver Zeffman has commissioned the very first opera for a socially distanced world, which is now available to watch exclusively on Apple Music. Eight Songs From Isolation has been written by eight leading composers, specifically for streaming - rather than live performance - and is the first opera written for a time when the performers were unable to meet in person.
Leading freelance musicians unite in Parliament Square to call for targeted support for colleagues in the arts and entertainment sector.
Duo Lewis Murphy (composer) and Laura Attridge (writer) have launched a charitable song project entitled Notes From Isolation. The resulting songs, featuring some of the UK's top singing talent, are being released online between August and October 2020 and can be enjoyed free of charge.
The Royal Opera House is thrilled to announce an exciting, wide-ranging new line-up for its autumn programme. For the first time, extraordinary performances will be accessible online for a global audience through livestreams and for socially distanced live audiences at our home in Covent Garden. In a global first, we present a new opera in hyper-reality, alongside repertory favourites from both artistic companies.
Some of the most famous and outstanding stars from the opera world are to take part in a very special evening from Wexford Festival Opera, including Aigul Akhmetshina, Joseph Calleja, Daniela Barcellona, Juan Diego Flórez, Igor Golovatenko, Ermonela Jaho, Sergey Romanovsky, and many more.
Following its successful launch in 2019, OperaStreaming streams nine operas on YouTube from the historic opera houses of Emilia-Romagna during the 2020-21 season, with fully-staged productions of Verdi's La traviata in October from Modena and Verdi'sOtello from Bologna in...
‘A brief history of song’ is the subtitle of the 2020 Oxford Lieder Festival (10th-17th October), which will present an ambitious, diverse and imaginative programme of 40 performances and events.
Bampton Classical Opera returns to the Baroque splendour of London’s St John’s Smith Square on November 6 with a concert performance of Gluck’s one-act opera The Crown, the first in the UK since 1987. The performance will also be filmed and available to watch on demand on the Bampton website from 9 November.
While many of us spent lockdown at home taking it a little easier, composer Andrew Synnott wrote an opera.
Owen Wingrave is part of the new Interim Season of 19 brand new events, all free to view online between September and December 2020.
The Arts Council has awarded innovative UK charity Music and Theatre For All (MTFA) a major new grant to develop three ambitious new projects in the wake of Covid 19.
English National Opera (ENO) will reopen the London Coliseum to socially distanced audiences on 6 and 7 November for special performances of Mozart’s Requiem. These will provide audiences with an opportunity to reflect upon and to commemorate the difficulties the nation has faced during the pandemic.
The Royal Opera House is proud to continue its curated #OurHouseToYourHouse programme into the autumn, bringing audiences the best of the ROH through a new series of Friday Premieres and cultural highlights.
After six months of closure, the Royal Opera House is thrilled to be opening its doors to the public as part of Open House London weekend, giving visitors a taste of one of the world’s most famous theatres for free.
The Academy of St Martin in the Fields is thrilled to announce re:connect - an eight concert series with live socially distanced audiences at its namesake church, St. Martin-in-the-Fields. The autumn concerts will take place at 5pm & 7:30pm on two Saturdays per month with guest artists including baritone Roderick Williams, soprano Carolyn Sampson and composer-conductor-pianist Ryan Wigglesworth performing a wide range of repertoire.
Music and poetry unite and collide across centuries, from the Medieval to the Enlightenment to the present day. This year, the Oxford Lieder Festival will present a thrilling and innovative programme comprising more than forty events streamed over eight days.
The English Concert with artistic director Harry Bicket is delighted to announce a series of concerts from 1-15 October 2020. The concerts take place in historic London venues with star soloists and will be performed and streamed live to a paying audience at 7pm GMT on each performance date. The programmes include first-class vocal and instrumental works from the two pillars of the English Baroque, covering different aspects of the repertoire.
Glyndebourne has announced plans for a ‘staycation’ series of socially-distanced indoor performances, starting on 10 October 2020.
The Royal Opera House is delighted to announce two packed evenings of opera and ballet, live from our stage in Covent Garden and available to view wherever you are in the world online.
The GRAMMY-Winning Boston Early Music Festival Chamber Opera Series presents Francesca Caccini’s Alcina on Thanksgiving weekend – November 24 & 25 in Boston and November 26 & 27 in New York City
Cambridge, MA – The GRAMMY Award-winning Boston Early Music Festival Chamber Opera Series returns on Thanksgiving weekend with an all-new production of the first opera by a woman composer, Francesca Caccini’s Alcina. Alcina is a brilliant entertainment, full of wit, magic, and drama, with a demanding title role first sung by the composer herself. The production will receive four performances: Saturday, November 24 and Sunday, November 25 in Boston, and Monday, November 26 and Tuesday, November 27 in New York City.
“Women have been shaping the world of opera from the very beginning, and we at BEMF are excited to present a new production of the first opera by a female composer, Francesca Caccini’s 1625 La liberazione di Ruggiero dall’isola d’Alcina ,” offers Executive Director Kathleen Fay. “As more and more women are finding their voice in opera, whether as artists, producers, patrons, or composers, it is exciting to be reminded that this is not a new phenomenon. We have been here for nearly 400 years already, and we are only getting started!”
This groundbreaking work is brought to life by the all-star BEMF Vocal and Chamber Ensembles in a magnificent production featuring gorgeous costumes and elegant period staging. Led by BEMF’s GRAMMY-winning Musical Directors Paul O’Dette and Stephen Stubbs and Stage Director Gilbert Blin, the directorial team also features Concertmaster Robert Mealy, Dance Director Melinda Sullivan, Costume Designer Anna Watkins, and Executive Producer Kathleen Fay. The dynamic cast of 15 singers features many BEMF favorites, including Canadian soprano Shannon Mercer (Alcina), praised for “ the lyric beauty and surprising power of her voice” ( Salt Lake Tribune); tenor Colin Balzer (Ruggiero), a frequent guest of BEMF’s Centerpiece Opera productions and recordings; and mezzo-soprano Kelsey Lauritano (Melissa), who made her début with the BEMF Orchestra at the June 2017 Festival. These superb vocalists appear alongside the twelve-member BEMF Chamber Ensemble.
A contemporary of Monteverdi and a colleague of Galileo, Francesca Caccini came of age in Florence during the earliest years of opera as an art form. Both a composer and a performer, she was one of the most important musical figures at the Medici court during the regency of Christina of Lorraine and Maria Maddalena. In 1625, amid this time of female leadership, she created Alcina, the first opera by a woman composer and among the first Italian operas performed outside of Italy. Adapted from Ludovico Ariosto’s 16th-century epic poem Orlando furioso, the sorceress Alcina stands at the center of a struggle between illusion and destiny as the valiant Melissa strives to save the warrior Ruggiero and liberate the captives Alcina has transformed into plants and trees to ornament her island.
ARTISTS:
Boston Early Music Festival Chamber Opera Series
Paul O’Dette & Stephen Stubbs, Musical Directors
Gilbert Blin, Stage Director
Robert Mealy, Concertmaster
Melinda Sullivan, Dance Director
Anna Watkins, Costume Designer
Kathleen Fay, Executive Producer
Boston Early Music Festival Vocal Ensemble
Shannon Mercer, Alcina
Colin Balzer, Ruggiero
Kelsey Lauritano, Melissa
Teresa Wakim, Margot Rood, Sonja DuToit Tengblad, Danielle Sampson, Sophie
Michaux, Mindy Ella Chu, Jason McStoots, Brian Giebler, David Evans, David
McFerrin, Ian Pomerantz & Daniel Fridley
Boston Early Music Festival Chamber Ensemble
Paul O’Dette & Stephen Stubbs, chitarrone & Baroque guitar
Robert Mealy & Julie Andrijeski, violin
Sarah Darling, viola
Erin Headley, Christel Thielmann & Laura Jeppesen, viola da gamba
Kathryn Montoya & Héloïse Degrugillier, recorder
Maxine Eilander, Baroque harp
Michael Sponseller, organ, regal & harpsichord
WHEN:
Saturday, November 24, 2018 at 8pm
Sunday, November 25, 2018 at 3pm
New England Conservatory’s Jordan Hall, 30 Gainsborough Street,
Boston, MA
Monday, November 26, 2018 at 7:30pm
Tuesday, November 27, 2018 at 7:30pm
Gilder Lehrman Hall at the Morgan Library & Museum
225 Madison Avenue at 36th Street, New York, NY
PROGRAM: Francesca Caccini’s Alcina
TICKETS: Tickets for the Boston performances are priced at $25, $45, $55, $75, and $125 each, and can be purchased at www.BEMF.org and 617-661-1812; as well as through the Jordan Hall Box Office located at 30 Gainsborough Street in Boston and by telephone at 617-585-1260; a $5 discount for students, seniors, and groups is available by calling 617-661-1812. Subscription discounts are available with the purchase of three or more programs on the 2018-2019 Season.
Tickets for the New York performance are priced at $55 for Morgan members and $65 for non-members, and can be purchased at www.themorgan.org/bemf and at 212-685-0008 ext. 560.
ASSOCIATED EVENTS:
There will be a Pre-Opera Talk with members of the directorial team one hour prior to each performance in Boston, and one half-hour prior to each performance in New York.
RESOURCES:
Download artist photos: http://www.bemf.org/pages/press/images.htm
BEMF’s 2018–2019 Season Press Release: http://www.bemf.org/pages/press/071618_1819season.htm
ABOUT THE BEMF CHAMBER OPERA SERIES:
Hailed by the Boston Globe for “vivid performances,” since 2008 the BEMF Chamber Opera Series has taken the internationally acclaimed musicianship, scholarship, and direction showcased in BEMF’s fully staged Festival operas and focused it on small-scale works in intimate productions each Thanksgiving weekend. Two productions from the Chamber Opera Series have also been presented on tour across North America: Handel’s Acis and Galatea in 2011 and Charpentier’s La Descente d’Orphée aux Enfers and La Couronne de Fleurs in 2014. BEMF’s studio recording of Charpentier’sLa Descente d’Orphée aux Enfers and La Couronne de Fleurs was awarded the 2015 GRAMMY Award for Best Opera Recording.
ABOUT THE MORGAN LIBRARY & MUSEUM:
The Morgan Library & Museum began as the private library of financier Pierpont Morgan, one of the preeminent collectors and cultural benefactors in the United States. Today, more than a century after its founding, the Morgan serves as a museum, independent research library, musical venue, architectural landmark, and historical site. Located at Madison Avenue and 36th Street, its collection includes world-renowned collections of drawings, literary and historical manuscripts, musical scores, medieval and Renaissance manuscripts, printed books, photography, and ancient near Eastern seals and tablets. Gilder Lehrman Hall, designed by renowned architect Renzo Piano, was opened by the Morgan in May 2006, and seats 264 people, providing a uniquely intimate concert venue. This marks the Boston Early Music Festival’s 13th season of concerts at the Morgan Library & Museum.
ABOUT THE BOSTON EARLY MUSIC FESTIVAL:
Recognized as the preeminent early music presenter and Baroque opera producer in North America, the Boston Early Music Festival (BEMF) has been credited with securing Boston’s reputation as “America’s early music capital” ( The Boston Globe). Founded in 1981, BEMF offers diverse programs and activities, including one GRAMMY Award-winning and four GRAMMY Award-nominated opera recordings, an annual concert series that brings early music’s brightest stars to the Boston and New York concert stages, and a biennial week-long Festival and Exhibition recognized as the “world’s leading festival of early music” ( The Times, London). The 20th Boston Early Music Festival will take place from June 9–16, 2019, and feature the fully staged North American premiere of Agostino Steffani’s Orlando as the Centerpiece Opera. BEMF’s Artistic Leadership includes Artistic Directors Paul O’Dette and Stephen Stubbs, Opera Director Gilbert Blin, Orchestra Director Robert Mealy, and Dance Director Melinda Sullivan.
The 2018-2019 Boston Early Music Festival Concert Series is presented with support from the Massachusetts Cultural Council, National Endowment for the Arts, WGBH Radio Boston, and Harpsichord Clearing House, as well as a number of generous foundations and individuals from around the world.
For more information, images, press tickets, or to schedule an interview, please contact Kathleen Fay at 617-661-1812 or email kathy@bemf.org.