English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. The season features music for solo singer and piano by Argento, Britten, Tippett and Shostakovich with a bold and inventive approach to making opera during social distancing.
Conductor Oliver Zeffman has commissioned the very first opera for a socially distanced world, which is now available to watch exclusively on Apple Music. Eight Songs From Isolation has been written by eight leading composers, specifically for streaming - rather than live performance - and is the first opera written for a time when the performers were unable to meet in person.
Leading freelance musicians unite in Parliament Square to call for targeted support for colleagues in the arts and entertainment sector.
Duo Lewis Murphy (composer) and Laura Attridge (writer) have launched a charitable song project entitled Notes From Isolation. The resulting songs, featuring some of the UK's top singing talent, are being released online between August and October 2020 and can be enjoyed free of charge.
The Royal Opera House is thrilled to announce an exciting, wide-ranging new line-up for its autumn programme. For the first time, extraordinary performances will be accessible online for a global audience through livestreams and for socially distanced live audiences at our home in Covent Garden. In a global first, we present a new opera in hyper-reality, alongside repertory favourites from both artistic companies.
Some of the most famous and outstanding stars from the opera world are to take part in a very special evening from Wexford Festival Opera, including Aigul Akhmetshina, Joseph Calleja, Daniela Barcellona, Juan Diego Flórez, Igor Golovatenko, Ermonela Jaho, Sergey Romanovsky, and many more.
Following its successful launch in 2019, OperaStreaming streams nine operas on YouTube from the historic opera houses of Emilia-Romagna during the 2020-21 season, with fully-staged productions of Verdi's La traviata in October from Modena and Verdi'sOtello from Bologna in...
‘A brief history of song’ is the subtitle of the 2020 Oxford Lieder Festival (10th-17th October), which will present an ambitious, diverse and imaginative programme of 40 performances and events.
Bampton Classical Opera returns to the Baroque splendour of London’s St John’s Smith Square on November 6 with a concert performance of Gluck’s one-act opera The Crown, the first in the UK since 1987. The performance will also be filmed and available to watch on demand on the Bampton website from 9 November.
While many of us spent lockdown at home taking it a little easier, composer Andrew Synnott wrote an opera.
Owen Wingrave is part of the new Interim Season of 19 brand new events, all free to view online between September and December 2020.
The Arts Council has awarded innovative UK charity Music and Theatre For All (MTFA) a major new grant to develop three ambitious new projects in the wake of Covid 19.
English National Opera (ENO) will reopen the London Coliseum to socially distanced audiences on 6 and 7 November for special performances of Mozart’s Requiem. These will provide audiences with an opportunity to reflect upon and to commemorate the difficulties the nation has faced during the pandemic.
The Royal Opera House is proud to continue its curated #OurHouseToYourHouse programme into the autumn, bringing audiences the best of the ROH through a new series of Friday Premieres and cultural highlights.
After six months of closure, the Royal Opera House is thrilled to be opening its doors to the public as part of Open House London weekend, giving visitors a taste of one of the world’s most famous theatres for free.
The Academy of St Martin in the Fields is thrilled to announce re:connect - an eight concert series with live socially distanced audiences at its namesake church, St. Martin-in-the-Fields. The autumn concerts will take place at 5pm & 7:30pm on two Saturdays per month with guest artists including baritone Roderick Williams, soprano Carolyn Sampson and composer-conductor-pianist Ryan Wigglesworth performing a wide range of repertoire.
Music and poetry unite and collide across centuries, from the Medieval to the Enlightenment to the present day. This year, the Oxford Lieder Festival will present a thrilling and innovative programme comprising more than forty events streamed over eight days.
The English Concert with artistic director Harry Bicket is delighted to announce a series of concerts from 1-15 October 2020. The concerts take place in historic London venues with star soloists and will be performed and streamed live to a paying audience at 7pm GMT on each performance date. The programmes include first-class vocal and instrumental works from the two pillars of the English Baroque, covering different aspects of the repertoire.
Glyndebourne has announced plans for a ‘staycation’ series of socially-distanced indoor performances, starting on 10 October 2020.
The Royal Opera House is delighted to announce two packed evenings of opera and ballet, live from our stage in Covent Garden and available to view wherever you are in the world online.
Unveiled in 1994, the new auditorium increased capacity by 50% to 1,200 seats and significantly improved backstage facilities. This allowed more people to enjoy world-class opera at Glyndebourne and enabled the company to stage bigger and more ambitious productions in the years that followed.
The drive to build a new opera house at Glyndebourne came from Sir George Christie, then Chairman of Glyndebourne, who raised £34m in private funding to pay for the project. The building was designed by Michael Hopkins and Partners and has won many awards for the quality of the architecture and the craftsmanship of its component parts. Despite being larger than the previous theatre, the auditorium retained a sense of intimacy, and delivered a vastly improved acoustic.
The new opera house opened on 28 May 1994 with a performance of Mozart’s Le nozze di Figaro, the same opera that opened the very first Glyndebourne Festival in 1934. It was the first purpose-built opera house to be constructed in the UK since Glyndebourne founder John Christie built the original Glyndebourne theatre in the 1930s.
25 years on, Glyndebourne will soon unveil the largest building project it has undertaken since the opera house, a new state-of-the-art production hub designed by Nicholas Hare Architects. It will be home to Glyndebourne’s expert props, sets, costumes, wigs, and making departments, as well as a new rehearsal studio and music practice rooms.
The production hub opens in the run-up to Glyndebourne Festival 2019, a season that gathers together some classic operatic fairy tales. Highlights include a rare opportunity to see a fully staged production of Berlioz’s La damnation de Faust, a fresh and playful new production of Mozart’s Die Zauberflöte and the Festival debut of Glyndebourne’s first-ever production of Massenet’s Cendrillon, directed by Fiona Shaw.
The season is completed with revivals of three popular productions from Glyndebourne’s recent history: Melly Still’s evocative production of Dvořák’s Rusalka, Robert Carsen’s irreverent take on Handel’sRinaldo and Annabel Arden’s stylish staging of Rossini’s Il barbiere di Siviglia.
The Festival can once again be enjoyed on stage, on screen and online. Three of the season’s productions will be screened in cinemas UK-wide and broadcast free online in partnership with the Telegraph Media Group.
Off-stage, visitors to this year’s Glyndebourne Festival can enjoy displays of art and sculpture, including the first major works by Nicholas Hare, the architect behind the new production hub, who has become a sculptor following his recent retirement. His three large-scale works, sculpted in Cor-Ten rusted steel, will be on display in the Glyndebourne gardens throughout the summer.
In addition, an expanded gallery space within the opera house is being relaunched as Gallery ‘94. This will house an exhibition on the theme of ‘Between Worlds’, featuring work by eleven different artists that draws on the architecture and topography of Glyndebourne, to mark the 25th anniversary of the opera house.
Public booking for Glyndebourne Festival 2019 opens online on Sunday 3 March. For more information visit glyndebourne.com.
Glyndebourne Festival 2019 runs from 18 May - 25 August 2019
New productionsHector Berlioz: La damnation de Faust
13 performances between 18 May - 10 July 2019 Glyndebourne’s debut production of La damnation de Faust is a rare opportunity to see this extraordinary work fully staged - the perfect way to mark the 150th anniversary of the composer’s death. Directed by Richard Jones, the cast is led by top British tenor Allan Clayton, making a role debut as Faust, alongside Christopher Purves as his nemesis, Méphistophélès. Glyndebourne’s Music Director Robin Ticciati, a passionate champion of Berlioz, conducts the London Philharmonic Orchestra.
Jules Massenet Cendrillon
14 performances between 8 June - 2 August 2019
One of the greatest operatic fairy tales, Massenet’s Cendrillon makes its Festival debut in Fiona Shaw’s thoughtful contemporary updating. John Wilson will make his first appearance at the Glyndebourne Festival conducting the London Philharmonic Orchestra and a cast led by Glyndebourne favourites Danielle de Niese as Cendrillon and Kate Lindsey as Prince Charming.
Wolfgang Amadeus Mozart Die Zauberflöte
15 performances between 18 July - 24 August 2019
Mozart’s most magical comedy returns to Glyndebourne for the first time in over a decade in a new production by the renowned directing / design duo Barbe & Doucet that promises to take a fresh and playful look at the opera’s troublesome gender politics. Leading British bass Brindley Sherratt stars as Sarastro alongside exciting young singers including Caroline Wettergreen, Sofia Fomina and Björn Bürger. Antonello Manacorda conducts the Orchestra of the Age of Enlightenment.
Revivals
Gioachino Rossini Il barbiere di Siviglia
15 performances between 19 May - 14 July 2019
Opera’s greatest comedy returns to the Glyndebourne Festival in Annabel Arden’s stylish, surreal production, first staged in 2016. Venezuelan conductor Rafael Payare conducts the London Philharmonic Orchestra.
Antonín Dvořák Rusalka
12 performances between 29 June - 21 August 2019
A heartbreaking fairy tale of love and loss comes vividly to life in Melly Still’s evocative production. Glyndebourne’s Music Director Robin Ticciati conducts the London Philharmonic Orchestra, with soprano Sally Matthews as the nymph who loses all for love. Canadian mezzo-soprano Patricia Bardon is the witch Ježibaba who takes it from her.
George Frideric Handel Rinaldo 8 performances between 8 - 25 August 2019
Robert Carsen’s witty and irreverent production of Handel’s Rinaldo returns to Glyndebourne with an all-new cast. American mezzo-soprano Elizabeth DeShong takes the title role with fast-rising young countertenor Jakub Józef Orliński as Eustazio and Italian soprano Giulia Semenzato as Almirena. Baroque specialist Maxim Emelyanychev conducts the Orchestra of the Age of Enlightenment.