Mozart and Salieri, an opera in one act consisting of two scenes.
Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.
First performance: 7 December 1898 in Moscow.
Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.
La Vestale, a tragédie lyrique in three acts.
Boris Godunov, an opera in four acts with prologue
Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire
First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg
Il Trovatore, dramma in four parts.
Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann).
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
Arabella: Lyrische Komödie in three acts
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
La Gioconda, dramma lirico in four acts.
Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835).
Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini).
Un ballo in maschera, a melodramma in three acts.
Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833)
Medea: Melodramma tragico in three acts.
Die Tote Stadt, an opera in three acts.
Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach.
Some Details concerning the Revolution inaugurated by Rossini
Manon Lescaut, dramma lirico in quattro atti
Elektra: Tragedy in one act.
Lyric Opera of Chicago has announced both schedules and cast-lists for is Spring 2020 performances of Richard Wagner’s Ring Cycle. Given the series of individual productions already staged by the company since Fall 2016, that pave the way for the complete cycle, Lyric Opera of Chicago’s complete production should affirm the artistic might of the great composer.
“Diacono himself does not know what musical talent he possesses” – Mascagni
![Portrait of Philip II of Spain by Sofonisba Anguissola (1573) [Source: Wikipedia]](http://www.operatoday.com/Portrait_of_Philip_II_of_Spain_by_Sofonisba_Anguissola_-_002b.png)
Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini).
Streaming Audio
First Performance: 11 March 1867 at the Opéra, Paris. Revised version 10 January 1884 at Teatro alla Scala, Milan.
| Principal Characters: | |
| Philip II, King of Spain | Bass |
| Rodrigue/Rodrigo, Marquis of Pisa | Baritone |
| Don Carlos/Don Carlo, Infante of Spain | Tenor |
| The Grand Inquisitor | Bass |
| Elisabeth de Valois, Philip's queen | Soprano |
| Princess Eboli, Elisabeth's lady-in-waiting | Mezzo-Soprano |
| Thibault, Eisabeth's page | Soprano |
| The Countess of Aremberg | Silent role |
| The Count of Lerma | Tenor |
| An Old Monk | Bass |
| A Voice from Heaven | Soprano |
| A Royal Herald | Tenor |
| Flemish Deputies | Basses |
| Inquisitors | Basses |
Setting: France and Spain, about 1560
Synopsis:
Act I
Summary: Don Carlo, the heir to the throne of Spain, is in love with his young stepmother, Elisabeth of Valois. His friend Rodrigo, the Marquis of Posa, attempts to distract him and begs him to take steps on behalf of the oppressed Low Countries. Carlos asks Elisabeth to intervene with the King, Philip II. Carlos then gives his emotions free rein, at which Elisabeth reproves him, even though she loves him also. Carlos flees. The King arrives and is furious that he finds the Queen alone. Rodrigo pleads for the Low Countries with the King, but Philip tells him of his worries about Elisabeth and Carlos.
Sequence:
| Part 1 | ||
| Carlo il sommo Imperatore | Male Chorus | |
| Io la vidi e al suo sorriso | Don Carlo | |
| Scena: Il duolo della terra | Don Carlo, Monk | |
| Mio salvator (Duet) | Don Carlo, Rodrigo | |
| Tristo me! (Duet) | Don Carlo, Rodrigo | |
| Dio, che nell'alma (Duet) | Don Carlo, Rodrigo, Mon, Male Chorus | |
| Sotto ai folti | Female Chorus | |
| Nei giardin del bello (Song of the Veil) | Eboli, Tebaldo, Female Chorus | |
| Chi mai si fa | Elisabeth, Eboli, Rodrigo, Female Chorus | |
| Carlo ch' è sol il nostro amore | Elisabeth, Eboli, Rodrigo | |
| Part 2 | ||
| Io vengo a domandar (Duet) | Elisabeth, Don Carlo | |
| Perduto ben, mio sol tesor (Duet) | Elisabeth, Don Carlo | |
| Qual voce a me (Duet) | Elisabeth, Don Carlo | |
| Il Re! (Scena) | Tebaldo, Philip, Chorus | |
| Non pianger, mia compagna (Romanza) | Elisabeth, Rodrigo, Philip, Female Chorus | |
| Restate! (Duet) | Philip, Rodrigo | |
| Ah! sia benedetto Iddio (Duet) | Philip, Rodrigo | |
| Quest' è la pace (Duet) | Philip, Rodrigo | |
| Il lor destin (Duet) | Philip, Rodrigo |
Act II
Summary: It is evening.Carlos has received an anonymous letter and is waiting for the Queen in the garden. The letter’s writer was the princess Eboli, who is also in love with him. Carlos reveals that he loves Elisabeth and rejects Eboli, who swears vengeance. Rodrigo asks Carlos to entrust any incriminating documents concerning the Low Countries that he might possess to him. An auto-da-fé is about to begin; deputies from the Low Countries approach and beg the King for aid. He sends them away, at which Carlos draws his sword and demands to be sent to the Low Countries. Rodrigo disarms him. Philip creates Rodrigo a duke and has Carlo arrested.
Sequence:
| Part 1 | ||
| Prelude | Orchestra | |
| A mezza note | Don Carlo | |
| Sei tu, sei tu | Don Carlo, Eboli | |
| V' è ignoto forse | Don Carlo, Eboli, Rodrigo | |
| Al mio furor | Don Carlo, Eboli, Rodrigo | |
| Trema per te, falso figliuolo | Don Carlo, Eboli, Rodrigo | |
| Part 2 | ||
| Gran finale (Auto de Fé) | ||
| Spuntato ecco il di | Chorus | |
| Il di spunto | Monks (Male Chorus) | |
| Spuntato ecco il di | Chorus | |
| Schiusa or si la porta | Herald, Philip, Elisabeth, Rodrigo, Chorus | |
| Sire, no, l'ora estrema (Flemish Deputies) | Don Carlo, Herald, Philip, Elisabeth, Rodrigo, Tebaldo, 6 Deputies, Chorus | |
| Sire! egli è tempo ch'io viva | Don Carlo, Philip, Elisabeth, Tebaldo, Rodrigo, Monks | |
| Spuntato è il di | Heavenly Voice, Deputies, Monks, Chorus |
Act III
Summary: Philip obtains help from the Grand Inquisitor in setting up a trial for his son. Princess Eboli has passed Elisabeth’s jewel box on to the King; a portrait of Carlos is inside. The King confronts the Queen with it, at which she faints.Eboli then confesses everything, including the fact that she has been the King’s mistress. Elisabeth bans her from the Court. The incriminating documents have been found in Rodrigo's possessions. He goes to see Carlos in prison, knowing that his own last hour is upon him. A gun fires and Rodrigo falls; mortally wounded, he dies in Carlos' arms. Philip enters and goes to give Carlos back his sword, but Carlos rejects him, having realised that Rodrigo has died to save him. The populace storm the prison and Carlos flees.
Sequence:
| Part 1 | ||
| Ella giammai m'amo | Philip | |
| Il Grand' Inquisitor! | Philip, Inquisitor, Lerma | |
| Nell' ispano suol | Inquisitor, Philip | |
| Le idee dei novator | Inquisitor, Philip | |
| Giustizia, sire! | Elisabeth, Philip | |
| Ardita troppo | Elisabeth, Philip, Eboli | |
| Ah! sii maledetto | Philip, Eboli, Rodrigo | |
| O don fatale | Elisabeth, Eboli | |
| O mia Regina | Eboli | |
| Part 2 | ||
| Son io, mio Carlo | Rodrigo, Don Carlo | |
| Per me giunto | Rodrigo, Don Carlo | |
| Io morrò, ma lieto | Rodrigo, Don Carlo | |
| Mio Carlo, a te la spada | Philip, Don Carlo | |
| Ciel! suona a stormo! | Lerma, Philip, Eboli, Chorus | |
| Sacrilegio infame! | Lerma, Philip, Eboli, Inquisitor, Chorus |
Act IV
Summary: Elisabeth and Carlos bid each other farewell in the gardens of the monastery of San Yuste.They are taken by surprise by the King and the Grand Inquisitor, but a mysterious monk appears (the ghost of Carlos V?) before the guards can take Carlos prisoner and drags him away into the monastery.
Sequence:
| Tu che le vanita | Elisabeth | |
| È dessa! (Final Scene) | Elisabeth, Don Carlo | |
| Si . . . l'eroismo è questo | Elisabeth, Don Carlo | |
| Ma lassù ci vedremo | Elisabeth, Don Carlo | |
| Si per sempre! | Philip, Elisabeth, Inquisitor, Don Carlo, Monks, 4 Brothers |
[Synopsis Source: De Nederlandse Opera]
Click here for the complete libretto.
Click here for the text of Don Carlos, Infant von Spanien (English translation).
