bq. Boris Trajanov, Evan Bowers and Marquita Lister
Opernhaus Graz’s new production of Tosca is a hit. According to Larry Lash of the Financial Times,
bq. A stage direction in my score of Tosca has Scarpia making a cup of coffee during the heroine’s big number, “Vissi d’arte”. In Dietmar Pflegerl’s updated staging, Scarpia, a pony-tailed metrosexual, skips the cappuccino: he puts down his crystal rioja goblet, tends to some silver candlesticks, dims the lights in his elegantly minimalist office and spreads a fur in front of the fireplace in anticipation of doing the nasty, as the diva pours out her heart to her punishing God. Things in Rome sure have changed since 1800.
bq. Pflegerl’s genius lies in such moments when he pointedly illuminates characters’ emotions. Whether it be Cavaradossi hugging a quivering political prisoner, Scarpia enjoying a manicure or Tosca groping her lover and then shimmying out of the church, these simple gestures contrast with the big shockers in perhaps the least subtle opera ever written.
Marquita Lister as Tosca “has a voice like a cup of rich, hot cocoa: luscious, dark, thick and bittersweet. . . . Evan Bowers’s velvet trumpet tenor, meltingly gorgeous with tender phrasing, perfectly fitted his heroic, nice-guy Cavaradossi. Complex, seductive and sardonic, Boris Trajanov brought unexpected nuances to Scarpia, unleashing tones as dark as a bottomless pit and blazing top notes.”
Floria Tosca — Marquita Lister
Mario Cavaradossi — Evan Bowers
Baron Scarpia — Boris Trajanov; Egils Silins
Cesare Angelotti — Wilfried Zelinka
Spoletta — Manuel von Senden; Andries Cloete
Der Messner — David McShane
Sciarrone — Shavleg Macharashvili; István Szecsi
Ein Kerkermeister — Konstantin Sfiris; Shavleg Macharashvili
Ein Hirte — Grazer Kapellknabe
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