Edward Hopper paintings inspire opera

http://www.baltimoresun.com/entertainment/arts/bal-li.arts15nov15,0,1222466.story

Who Was That Masked Composer?

http://www.theatlantic.com/doc/200001/aaron-copland

Mozart’s life in letters

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/the_tls/article2869775.ece?EMC-Bltn=FEJBG4

Seattle Opera’s version of Iphigenia: an exchange

http://www.crosscut.com/arts-beat/9025/

Libera ó Angel Voices

“They are boys, and they sing, but don’t call them choirboys. ‘Libera’ prefer to be called a vocal group ó a real boy band, if you like.”

ROSSINI: Torvaldo e Dorliska

Between the efforts of recording companies Naxos and Opera Rara, Rossini-philes have been living in a golden age.

Portraits of Dmitri Hvorostovsky and Olga Borodina

Philips decided some time ago that it no longer needed to be the audio representative for two fine contemporary singers of Russian origin, mezzo Olga Borodina and baritone Dmitri Hvorostovsky.

Aida at ENO

After the marketing gimmickry of Sally Potter’s production of Carmen, and a dance-based Poppea set at the bottom of the sea, it did not bode well when the advertising for ENO’s latest
production included an interactive dress-up doll circulated by email.

Macbeth in Istanbul

Attending the opera may not be the first thing you think of when visiting Istanbul, but opera is to be found (if less well advertised than the local Bach Festival) at the Ataturk Cultural Center on Taksim Square, the heart of modern Istanbul.

ìThe Sacrificeî ñ Welsh National World Premiere Tour

Welsh National Operaís new opera ìThe Sacrificeî, composed by James MacMillan with libretto by Michael Symmons Roberts, and directed by Katie Mitchell, is an emotionally raw and compelling study of the nature of conflict, and how humans are changed by it.