José Orlando Alves — An Interview

José Orlando Alves is a young composer, originally from Minas Gerais, but who spent many years in Rio de Janeiro, where he has been active for a decade with the composers’ collaborative, Preludio XXI.

Verdiland Revisited

Since his appointment as general manager of Parma’s Teatro Regio in August 2005, Mauro Meli didn’t conceal his ambitious plans for growth.

Preparing G.B. Pergolesi’s tercentenary — with a fair advance

A notice for organizers: it’s relatively easy to produce a vocal recital and sell out a large house
for two nights in a row.

This “Swallow” Makes November Summery

It’s somewhat of a mystery why Puccini’s 1917 “La Rondine” is such a neglected, rarely-performed opera.

An Operatic Voice Retuned for Cabaret

http://www.nytimes.com/2007/11/10/arts/music/10race.html?_r=1&ref=music&oref=slogin

Who will follow this lieder pairing?

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/11/09/bmclassical109.xml

BERLIOZ: Les Troyens

Les Troyens: Grand opÈra in five acts.

‘Vanessa’ at the New York City Opera

http://www.newsday.com/services/newspaper/printedition/friday/partii/ny-etmus5451218nov09,0,2377671.story

Seraglio, Theatre Royal, Glasgow

http://www.ft.com/cms/s/2/0489da54-8896-11dc-84c9-0000779fd2ac.html

Bounty of Countertenors in 1631 Opera

http://www.nytimes.com/2007/10/31/arts/music/31ales.html?_r=1&ref=music&oref=slogin