Edita Gruberova’s North American fans, who can only hold onto dim hopes that someday the
European superstar will return to these shores, can always seek to sate their desire for her artistry by picking up the latest CD from Nightingale Classics.
Year: 2007
Gruberova on Nightingale Classics
Macbeth – Glyndebourne on Tour
http://new.edp24.co.uk/content/WhatsOn/story.aspx?datetime=15+Nov+2007+13%3A15&tbrand=EDPOnline&tCategory=WhatsOn&category=WhatsOnReviews&brand=EDPOnline&itemid=NOED15+Nov+2007+13%3A21%3A12%3A177
Edward Hopper paintings inspire opera
http://www.baltimoresun.com/entertainment/arts/bal-li.arts15nov15,0,1222466.story
Who Was That Masked Composer?
http://www.theatlantic.com/doc/200001/aaron-copland
Mozart’s life in letters
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/the_tls/article2869775.ece?EMC-Bltn=FEJBG4
Seattle Opera’s version of Iphigenia: an exchange
http://www.crosscut.com/arts-beat/9025/
Libera ó Angel Voices
“They are boys, and they sing, but don’t call them choirboys. ‘Libera’ prefer to be called a vocal group ó a real boy band, if you like.”
ROSSINI: Torvaldo e Dorliska
Between the efforts of recording companies Naxos and Opera Rara, Rossini-philes have been living in a golden age.
Portraits of Dmitri Hvorostovsky and Olga Borodina
Philips decided some time ago that it no longer needed to be the audio representative for two fine contemporary singers of Russian origin, mezzo Olga Borodina and baritone Dmitri Hvorostovsky.
Aida at ENO
After the marketing gimmickry of Sally Potter’s production of Carmen, and a dance-based Poppea set at the bottom of the sea, it did not bode well when the advertising for ENO’s latest
production included an interactive dress-up doll circulated by email.