Gruberova on Nightingale Classics

Edita Gruberova’s North American fans, who can only hold onto dim hopes that someday the
European superstar will return to these shores, can always seek to sate their desire for her artistry by picking up the latest CD from Nightingale Classics.

Macbeth – Glyndebourne on Tour

http://new.edp24.co.uk/content/WhatsOn/story.aspx?datetime=15+Nov+2007+13%3A15&tbrand=EDPOnline&tCategory=WhatsOn&category=WhatsOnReviews&brand=EDPOnline&itemid=NOED15+Nov+2007+13%3A21%3A12%3A177

Edward Hopper paintings inspire opera

http://www.baltimoresun.com/entertainment/arts/bal-li.arts15nov15,0,1222466.story

Who Was That Masked Composer?

http://www.theatlantic.com/doc/200001/aaron-copland

Mozart’s life in letters

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/the_tls/article2869775.ece?EMC-Bltn=FEJBG4

Seattle Opera’s version of Iphigenia: an exchange

http://www.crosscut.com/arts-beat/9025/

Libera ó Angel Voices

“They are boys, and they sing, but don’t call them choirboys. ‘Libera’ prefer to be called a vocal group ó a real boy band, if you like.”

ROSSINI: Torvaldo e Dorliska

Between the efforts of recording companies Naxos and Opera Rara, Rossini-philes have been living in a golden age.

Portraits of Dmitri Hvorostovsky and Olga Borodina

Philips decided some time ago that it no longer needed to be the audio representative for two fine contemporary singers of Russian origin, mezzo Olga Borodina and baritone Dmitri Hvorostovsky.

Aida at ENO

After the marketing gimmickry of Sally Potter’s production of Carmen, and a dance-based Poppea set at the bottom of the sea, it did not bode well when the advertising for ENO’s latest
production included an interactive dress-up doll circulated by email.