Fille du Regiment from San Diego Opera

As a young composer who came from a poor family, he had to accept
every possible commission. In 1822, he began to produce light operatic comedies
for Naples. Eventually, he began to write more serious works, but he had an
immense gift for comedy as evidenced by works such as La Fille du
(The Daughter of the Regiment), L’Elisir d’Amore
(The Elixir of Love), and Don Pasquale. In 1830, he had a major
international success in Anna Bolena. After that he was invited to
compose in other countries such as France, where the censors seemed easier to
please. In 1838 he left Naples for Paris where, two years later, he produced a
trio of successful operas to French texts, La Fille du RÈgiment,
Les Martyrs, and La Favorite. He also did an Italian
adaptation of La Fille for La Scala. In 1843, the first United States
performance of the opera took place in French in New Orleans.

On January 29, 2013, San Diego Opera offered La Fille du RÈgiment
as its first presentation of the season. Emilio Sagi’s production, originally
seen at the Teatro Comunale in Bologna, Italy, moved the time of the action
from the nineteenth century to the twentieth, just after World War II. Instead
of French soldiers in Austria, we saw American soldiers in France. Designer
Julio Gal·n gave us a bombed out bar for Act I, and a luxurious salon for Act
II. His costumes included many dull tan army uniforms, but there were more
interesting outfits on the nobility in the second act. Slovakian coloratura
soprano L’ubica Vargicov‡ who was seen in San Diego previously as Gilda in
Verdi’s Rigoletto, sang Marie. She has also sung the Queen of the
Night in Los Angeles Opera’s The Magic Flute, so Marie’s high
notes and fioritura held no terrors for her. She sang with great
precision and showed excellent comic timing.

jkw_regiment012413_259.gifEwa Podle? is the Marquise de Birkenfeld

As her lover, Tonio, Stephen Costello once again showed us the warm, bright
ringing tones of his tenor voice. San Diego has heard him as Romeo and Faust,
but the role of Tonio is much more demanding than either. His virtuosic first
act aria ‘Ah, mes amis,’ is well known for its nine high Cs and Costello
hit each of them exactly in the center of the note, holding the last one with
seeming ease. Naturally, the applause was deafening. For the rest of his role
he was a charming lover who sang with exquisite lyric tones.

San Diego has heard Polish Contralto Ewa Podle? before, both in recital and
in Handel’s Giulio Cesare, but this was her first foray into comedy
there. Vocally, she showed the wide range of her color-filled contralto voice.
She was hilariously funny when, wearing a gorgeous dark red costume, she quoted
a line from Bizet’s Carmen. At the same time she brought out the
Marquise of Berkenfeld’s importance in steering the plot toward its jubilant

Opulent voiced American bass Kevin Burdette was an amusing but believable
military officer who eventually won the heart of the most demanding, but
secretly lonely, Marquise. Soprano Carol Vaness, who is doing more teaching
than singing these days, played the speaking role of the Dutchess of
Krakenthorp. It did not keep her from singing a phrase from San Diego’s next
presentation, Saint-SaÎns’ Samson and Delilah, however, and that
pleased her many fans in the audience. Malcolm MacKenzie was an entertaining
Hortensio and Scott Sikon an impressive Corporal.

jkw_regiment012313_241.gifKevin Burdette is Sgt. Sulpice,L’ubica Vargicov· is Marie and Stephen Costello is Tonio

The opera’s chorus under the direction of Charles Prestinari moved as
individuals and maintained precise harmonies. In his San Diego Opera debut,
Maestro Yves Abel conducted with suave French style that brought out the
score’s tonal beauty. His brisk pacing that kept the tension tight. La
is best known for its uniquely difficult tenor aria, but it has much
more to offer than that high wire act. It is filled with glorious music and
charming situations that can be focused to amuse a particular audience. In this
case the Act II guests, some of them major donors to the opera, were announced
as local royalty to the great amusement of many in the audience who knew them
personally. This Donizetti opera is perfection in operatic comedy and it was a
wonderful start for San Diego Opera’s 2013 season.

Maria Nockin

Cast and Production

Marie: L’ubica Vargicov·; Tonio: Stephen Costello; Marquise de
Berkenfeld: Ewa Podle?; Sergeant Sulpice: Kevin Burdette; Corporal: Scott
Sikon; Hortensio: Malcolm Mackenzie; Conductor: Yves Abel; Director: Emilio
Sagi; Scenic and Costume Designer Julio Gal·n; Lighting Design: Marie

image_description=L’ubica Vargicov· is Marie and Stephen Costello is Tonio [Photo by J. Katarzyna Woronowicz courtesy of San Diego Opera]
product-title=Fille du Regiment from San Diego Opera
product_by=By Maria Nockin
product_id=Above: L’ubica Vargicov· is Marie and Stephen Costello is Tonio

Photos by J. Katarzyna Woronowicz courtesy of San Diego Opera