La traviata, Chicago

In a staging shared with Houston Grand Opera and the Canadian Opera Company, Lyric Opera of Chicago presented recently a new production of Giuseppe Verdi’s La traviata.

Gluck: Orpheus and Eurydice

If you’re the sort of audience member who, when watching a performance of a play or opera, often experiences the urge to abandon your seat and join in with action, then the English Pocket Opera Company’s 2014 collaborative project will be just the thing for you.

Gerald Finley: Winterreise

Tenor or baritone? Everyone will have their own individual preference about the voice type best suited to Schubert’s Winterreise — and about the manner in which the songs should be performed (narrated, or acted?).

Jules Massenet: Manon, ROH

Tart with a heart, pleasure-loving ingÈnue, exploited naÔf, or femme fatale?

Songlives: Johannes Brahms

This recital, part of an inventive series overseen by pianist Malcolm
Martineau, did exactly what it said on the tin: it journeyed the length of
Brahms’ creative life as a composer of songs, from his earliest adolescent
essays, through the early years of expansion and experiment, to the period of
maturity and confidence as the composer established himself in Vienna,
concluding with the moving, nuanced testaments of Brahms’ final years.

Eugene Onegin in Montpellier

Entering the hall there arose the Dantesque “abandon all hope ye who enter” feeling — a cluttered a vista socialist setting, a poster of Lenin and large letters proclaiming Moscow, December 1999.

Claudio Abbado, Italian conductor, dies aged 80

Italian conductor Claudio Abbado, former principal conductor of the London Symphony Orchestra, has died aged 80

The Sixteen: Jephtha

Harry Christophers and The Sixteen brought Handel’s final oratorio, Jephtha, to the Barbican (14 January 2014) preparatory to recording the work.

Matthew Polenzani — Des Grieux, Manon, Royal Opera House

Matthew Polenzani reprises the role of the Chevalier des Grieux in Jules Massenet’s Manon at the Royal Opera House. “I love coming back to London”, he says, “It’s a very good house and they take care of you as a singer. And the level of music making is unbelievably high”.

Cosi fan tutte in Montpellier

This Cosi fan tutte completes the Montpellier Mozart/da Ponte trilogy staged by French metteur en scËne and esthËte Jean-Paul Scarpitta. Primarily studies in elegance and refinement these mises en scËnes have provoked all that that is most precious and perfect in Mozart’s scores.