In order to mount a successful production of Alban Berg’s opera Wozzeck, first performed in 1925, the dramatic intensity and lyrical beauty of the score must become the focal point for participants.
Year: 2015
A Prize-Winning Rediscovery from 1840s Paris (and 1830s Egypt)
FÈlicien David’s intriguing Le dÈsert, for vocal and orchestral forces plus narrator, was widely performed in its own day, then disappeared from the performing repertory for nearly a century.
Florilegium at Wigmore Hall
During this exploration of music from the Austro-German Baroque, Florilegium
were joined by the baritone Roderick Williams in a programme of music which
placed the music and career of J.S. Bach in the context of three older
contemporaries: Franz Tunder (1614-67), Dietrich Buxtehude (1637-1701) and
Heinrich Biber (1644-1704).
Leoncavallo’s Zaz‡ by Opera Rara
Charismatic charm, vivacious insouciance, fervent passion, dejected
self-pity, blazing anger and stoic selflessness: Zaz‡ — a chanteuse
raised from the backstreets to the bright lights — is a walking compendium of
emotions.
L’ospedale – an anonymous opera rediscovered
‘Stay away from doctors; they are bad for your health.’ This seems to be the central message of L’Ospedale – a one-hour opera by an unknown seventeenth-century composer, with a libretto by Antonio Abati which presents a satirical critique of the medical profession of the day and those who had the misfortune to need curative treatment for their physical and mental ills.
äimon Vose?ek : Biedermann and the Arsonists
‘In these times of heightened security … we are listening, watching …’
RenÈ Pape, Joseph Calleja, Kristine Opolais, Boito Mefistofele, Munich
Arrigo Boito Mefistofele was broadcast livestream from the Bayerische Staatsoper in Munich last night. What a spectacle !
Calixto Bieito’s The Force of Destiny
The monochrome palette of Picasso’s Guernica and the mural’s anti-war images of suffering dominate Calixto Bieito’s new production of Verdi’s The Force of Destiny for English National Opera.
Morgen und Abend — World Premiere, Royal Opera House
The world premiere of Morgen und Abend by Georg Friedrich Haas at the Royal Opera House, London — so conceptually unique and so unusual that its originality will confound many.
Company XIV Combines Classic and Chic in an Exquisite Cinderella
Company XIV’s production of Cinderella is New York City theater
at its finest. With a nod to the court of Louis the XIV and the grandiosity of
Lully’s opera theater, Company XIV manages to preserve elements of the French
Baroque while remaining totally innovative, and never—in fact, not once for
the entire two and a half hour show—falls prey to the predictable. Not one
detail is left to chance in this finely manicured yet earthily raw production
of Cinderella.