Irish National Opera 2021-22: an explosion of opera

Irish National Opera’s biggest-ever season
Wednesday 7 July 2021 to Saturday 25 June 2022
58 performances in 26 spaces at 20 different locations, 9 new productions,
6 operas by Irish composers, including 4 world premieres

Irish National Opera’s 2021-22 season is its biggest ever, and its most diverse.

“It’s been a most exciting year at INO,” says artistic director, Fergus Sheil. “Hectic, changeable, unpredictable and
challenging. And yet peculiarly rewarding as the best laid plans had to be revisited and reshaped to keep opera
alive as we found new ways of bringing it to our audience. We also wanted to make sure the creators and recreators of opera could be remunerated for plying their craft. Opera at any time is a complex matrix to manage.
And for the last 16 months we have all been grappling with extra dimensions of that complexity. The richness of
our new offering is explained by us having had to carry forward productions from last season, and also branch
out to find new connections with opera lovers. And also by a sizeable uplift in our Arts Council grant.”

The branching out includes the company’s largest-ever outdoor undertaking, Richard Strauss’s epic Elektra, in
the atmospheric setting of the Castle Yard in Kilkenny with Belfast soprano Giselle Allen making her INO debut
as the vengeful heroine. She says of her character that Elektra is “a woman driven by the all-consuming grief of
losing her father, she is hell-bent on revenge against her mother who ordered his murder,” and adds, “It’s a
complex and difficult mother/daughter dynamic that resonates even today.” Conall Morrison’s new production is
presented in association with Kilkenny Arts Festival, one of the many new working partnerships that have made
such an enlarged new season possible. The five performances run between Thursday 5 August and Saturday 14

Before that, in the new season’s opening tour starting on Wednesday 7 July, there is a series of late-night outdoor
screenings of Edwina Casey’s new film of Peter Maxwell Davies’s spooky chamber opera, The Lighthouse. It’s
one of three new films which INO produced this year when lockdown did not allow live performances with an
audience. The Lighthouse will be screened at places as appropriately atmospheric as Hook Head Lighthouse in
Wexford and Fanad Head Lighthouse in Donegal.

Later in July, INO will stream Amanda Feery’s A Thing I Cannot Name, a new filmed opera exploring experiences
of female desire, with a libretto by Megan Nolan. Amanda’s work has been praised for its “zinging punch” (The
Irish Times) and Megan’s first novel, Acts of Desperation, applauded by fellow writer Marian Keyes for “Such
brilliant writing about female desire… honest and visceral”. The world premiere is being presented as part of the
West Cork Literary Festival on Tuesday 27 July and will feature a conversation between the work’s creators and
Julie Kelleher, CEO and artistic director of the Mermaid Arts Centre in Bray, and a former artistic director of The
Everyman in Cork.

Elektra is one of no less than nine new productions in a schedule that also includes the first national tour of Brian
Irvine and Netia Jones’s big 2019 hit, Least Like The Other – Searching For Rosemary Kennedy. This probing and
disturbing examination of the fate of JFK’s sister Rosemary was first presented at Galway International Arts
Festival in 2019. Between Saturday 11 and Saturday 25 September it visits Dublin, Cork and Limerick in a new,
16-track surround-sound version. Like Elektra, it will be performed with live cast and pre-recorded orchestra.

The last of the season’s three films captures the incredibly virtuosic and dizzying whirlwind of Gerald Barry’s comic
masterpiece Alice’s Adventures Under Ground. This was originally planned as a live production for last season,
but with the cast, sets, costumes and crew all available, the only way to get it done was as a film. With Claudia
Boyle in the astonishingly demanding title role, Hugh O’Conor directs the film of Antony McDonald’s visually
ravishing and unfailingly witty production. The film will stream for six months from Friday 5 November on (tickets €9) and also on, the website of the Royal Opera House, Covent
Garden, co-producers with INO of the original production. At the same time a new recording of the work, on the
Signum Classics label, will be issued on CD and also be available online for streaming and download.

Irish soprano Sinéad Campbell Wallace stars in the title role of the season’s first totally new, indoor offering, of
Beethoven’s life-enhancing opera Fidelio, a role in which Opera magazine has already praised her as
“remarkable… both vocally and dramatically”. She says that “Leonore [disguised as Fidelio in the opera] is a
character of integrity, passion, bravery and hope: a role model for the modern day woman.” Fidelio will have five
performances in Annabelle’s Comyn’s new production at the Gaiety Theatre, Dublin, between Sunday 7 and
Saturday 13 November.

A live production of Peter Maxwell Davies’s The Lighthouse, also directed by Edwina Casey, goes on a 10-
performance tour between Saturday 15 November and Saturday 11 December. It will be seen in Dundalk, Cork,
Tralee, Ennis, Navan, Dublin, Bray and Letterkenny.

The next new production is of Vivaldi’s Bajazet, a highly-regarded 1735 pasticcio incorporating arias by other
composers with Vivaldi’s own work. It is directed by Adele Thomas and will delight fans of INO’s first Vivaldi
production, Griselda, in 2019. It features the powerful Italian bass-baritone Gianluca Margheri in the title role and
marks the INO debut of Irish mezzo-soprano Rachel Kelly as Irene. After its eight performances in Ireland, the
opera, which is another co-production with Covent Garden, will run for six performances at the Royal Opera’s
Linbury Theatre in London between Friday 4 and Saturday 12 February 2022.

One of the early operatic victims of the pandemic was INO’s production of Bizet’s Carmen, which was already
four weeks in rehearsal when it had to be cancelled. The re-scheduled first Dublin performance of Paul Curran’s
production, again with Paula Murrihy in the title role and Celine Byrne as Micaëla, is at the Bord Gáis Energy
Theatre on Monday 7 March 2022, with further performances on Wednesday 9, Friday 11 and Saturday 12.

INO is delighted to be part of Elaine Agnew and Jessica Traynor’s new community opera Paper Boat, a Galway
2020 European Capital of Culture legacy project being presented by Music for Galway. The work was specifically
conceived for and themed about St Nicholas’ Collegiate Church, which celebrated its 700th anniversary last year,
and the world premiere production will be given there between Thursday 21 and Saturday 23 April 2022.

Two great Irish singers compete for dominance as the rival queens – Elizabeth and Mary – in Donizetti’s Maria
Stuarda, an opera so controversial and problematic in its time that it disappeared from view and didn’t make it into
the core operatic repertoire until the second half of the 20th century. Mezzo-soprano Tara Erraught is in the title
role and Anna Devin is Elisabetta, Tom Creed directs and Fergus Sheil conducts the Irish National Opera
Orchestra and Chorus. There are four performances in Dublin, at the Gaiety Theatre, between Sunday 5 and
Saturday 11 June 2022, and one each in Cork (Thursday 16 June) and Wexford (Saturday 19 June).

The season’s line up also includes INO’s first ever virtual reality community opera. Finola Merivale’s Out of The
Ordinary is being written in conjunction with communities in Inis Meáin, Tallaght and South Dublin, and rural
Ireland. This truly ground-breaking project, directed by Jo Mangan has already won the coveted €50,000 Fedora
Platform Digital Prize for 2021.

Horse Ape Bird, by composer David Coonan and writer Dylan Coburn Gray, is INO’s first-ever speciallycommissioned youth opera. It asks the provocative question, “Are animals animals because they lack something
we possess, or vice versa?” INO is producing it with Music Generation Kildare, Music Generation Meath and the
Solstice Arts Centre, Navan, in partnership with the Music Department, Maynooth University, and it is also
supported by St Patrick’s College, Maynooth.

Separately from the season’s offerings, Irish National Opera is delighted to have been asked by The Arts Council
and the Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media to produce a pilot test concert in the
Cork Opera House on Saturday 10 July – CASTA DIVA, An Evening with Majella Cullagh and Guests.

INO Executive Director Diego Fasciati says, “This is the first live opera event in Cork Opera House in over 15
months, and the first performance by Irish National Opera, too. It will be an emotional and unforgettable evening.
Majella will be joined by soprano Emma Nash, mezzo-soprano Niamh O’Sullivan, tenor Gavan Ring and baritone
Brendan Collins, accompanied on the piano by Gary Beecher. From Bellini’s magical aria ‘Casta diva’ from Norma
to the famous quartet from Verdi’s Rigoletto, this unmissable operatic evening of much-loved arias and ensemble
numbers will be enthralling.”

Irish National Opera