Whether or not J.S. Bach’s seasonal work is an oratorio in the strict sense of the word is questionable, and for the purposes of a review, it is perhaps immaterial.…
Author: David Truslove
Welsh National Opera: Ainadamar at the Mayflower, Southampton
Spain is ‘a country of death, a country open to death’ once declared the poet and playwright Federico García Lorca. It’s an assertion that provides a foretaste of Ainadamar, Osvaldo…
Musically powerful Don Giovanni from Glyndebourne
First unveiled at Glyndebourne in May (review), Paul Higgins’s revival of Don Giovanni leaves Mariame Clément’s interpretation largely untouched, yet questions about her staging and its ambiguities remain unexplained. Most…
Francisco Guerrero from The Brabant Ensemble
Known by his contemporaries as ‘El cantor de Maria’, Francisco Guererro (1528-99) was a much-travelled musician and composer whose career bridged the gap between Cristóbal de Morales and Tomás Luis…
Glorious performances from Ensemble Aedes and Les Siècles
This recent Marian-themed disc from the French record label Aparté brings together a trio of works by two composers four centuries apart: a single offering by the Renaissance Clément Janequin…
New Millennium: Choir of St John’s College, Cambridge
Signum’s latest release of 21st-century choral music is a hugely rewarding survey of anthems and organ music from living composers, many of whom are graduates of Cambridge University. With eight…
Life Victoria: Oxford International Song Festival
Two events on day thirteen of the Festival, in partnership with LIFE Victoria in Barcelona, marked the centenary of the great Spanish soprano Victoria de los Angeles, a celebration that…
MacMillan, Tavener & Vaughan Williams: the Choir of Westminster Abbey
In its century-spanning traversal of sacred music, this recent issue from Hyperion and the Choir of Westminster Abbey – the last recording from the recently retired Director of Music James…
Donizetti’s L’elisir d’amore at the Royal Opera House
Now in its fifth revival, the popularity of Laurent Pelly’s L’elisir d’amore remains unchanged, his nicely observed 1950s rural Italy still pulling in the punters. It’s not just the arresting…
New College: Commissions & Premieres
A disc of commissions and premieres may seem a bold decision for a record company wishing to maximise on sales potential. But this is the choir of New College, Oxford,…