Cal McCrystal’s Iolanthe is revived at English National Opera

The curtain lifts to reveal a land of fairies: trailing vines, enormous flowers, rainbow-tinted lights.  As W.S. Gilbert writes later on, it all looks like something from ‘Andersen’s library’. This…

King Arthur: Early Opera Company at Temple Church

Gustav Holst condemned the entire genre of semi-opera as ‘almost insuperable’, at once ‘too dramatic for the concert platform’ and ‘too incoherent for the stage’.  How, he asked, are these…