Così fan tutte at the Royal Opera House

Jan Philipp Gloger’s rendition of Così fan tutte places Daniel Heartz’s assessment of the work as an ‘opera about an opera’ centre stage. It is a so-called meta-reading. Thus, for…

Cal McCrystal’s Iolanthe is revived at English National Opera

The curtain lifts to reveal a land of fairies: trailing vines, enormous flowers, rainbow-tinted lights.  As W.S. Gilbert writes later on, it all looks like something from ‘Andersen’s library’. This…

King Arthur: Early Opera Company at Temple Church

Gustav Holst condemned the entire genre of semi-opera as ‘almost insuperable’, at once ‘too dramatic for the concert platform’ and ‘too incoherent for the stage’.  How, he asked, are these…