Author: Gary Hoffman

In its new production this fall season of Alban Berg’s Lulu, Lyric Opera of Chicago has achieved a near ideal synthesis of music and drama.

Engelbert Humperdinck’s Hansel and Gretel is titled a M‰rchenspiel — a Fairytale: and as twentieth-century psychologists and psychoanalysts have been eager to inform us, lurking beneath those familiar saccharine stories of sleeping princesses, defeated tyrants, love fulfilled and harmony restored, lie the dark shadows of the human heart — passionate, violent, unpredictable and unredeemed.

The Metropolitan Opera’s high-definition broadcast on radio and by satellite to movie theatres around the Nation, December 20 was Jules Massent’s 1894 star vehicle, ThaÔs — the sadly ironic tale of a 4th Century Egyptian courtesan who grows tired of the long hours and demanding nature of her work, and is thinking of a career change.