Only in an opera: Miami’s Elaine Alvarez rises from understudy to star

http://www.miamiherald.com/tropical_life/story/312391.html

Lyric’s ‘Frau’ casts a mighty shadow

http://www.chicagotribune.com/entertainment/chi-mxa1119_frau_archivenov19,1,5377760.story

Concert review: Fleming, Botti enchant at Dallas Opera gala

http://www.dallasnews.com/sharedcontent/dws/ent/stories/DN-fleming_1118gl.ART.State.Edition2.36d23a2.html

Verismo Rarities, Teatro Grattacielo

Part of the fun of visiting the many companies that specialize in unearthing forgotten operas lies precisely in not knowing what you’re going to get.

Norma returns to the Met

The bel canto era, insofar as the contemporary public considers it at all, is usually thought of as the golden age of vocal beauty for its own sake.

Pascoe comes to grips with the Don

Mozart made it easy for the Philistines. They see Don Giovanni thrown into the flaming jaws of Hell and hiss: “Two thousand women seduced and abandoned! “

Nikolai Brucher — An Interview

Oct. 25, 2007, Rio de Janeiro.

PAISIELLO: Fedra

Fedra: Dramma per musica in two acts.

Jan Neckers on Recently Released Reissues and Historicals

The first opera performance I consciously attended while being definitely hooked to the genre due to records, was Guillaume Tell more than 40 years ago.

Karlsruheës Don Gets Down

The Badisches Staatstheater seems to have borrowed with a vengeance the catch-phrase from John Watersí recent ìA Dirty Shame,î namely: ìLetís go sexiní!î I canít recall ever seeing a ìDon Giovanniî
with more lip-locks, grinding torsos, leg-wraps, and groping embraces.