Fille du Regiment from San Diego Opera

Born to a very poor family in 1797, Gaetano Donizetti was lucky enough to become the pupil of Johann Simone Mayr, the Maestro di Capella of his native city, who recognized his talent and made sure he received appropriate instruction.

Tosca by Arizona Opera

The libretto by Luigi Illica and Giuseppe Giacosa for Giacomo Puccini’s opera Tosca is based on Victorien Sardou’s French play, La Tosca.

Der Kaiser von Atlantis at the Staatsoper Berlin

Recent seasons have seen a surge in so-called ‘Holocaust
operas,’ from Peter Androsch’s Spiegelrund, which
premiered in Vienna last week, to Mieczysław Weinberg’s The
Passenger
, unveiled with a half-century of delay in Bregenz in 2010.

Maria Stuarda at the Met

The Met’s opulent and well-sung Maria Stuarda cannot overcome its insipid libretto.

Echoes of Venice

The opening concert of the Wigmore Hall’s spring season exemplified the high standards of intelligent musicianship and imaginative programming so typical of the Hall’s artists. Soprano Carolyn Sampson and theorbo player Matthew Wadsworth presented a thoughtful, inventive programme, ‘Echoes of Venice’, alternating tender and impassioned songs of love with striking instrumental pieces.

A New Hall for Tiroler Festspiele Erl

http://www.operatoday.com/content/2013/01/a_new_festival_.php

A New Festival Hall for Erl

A new festival hall has been inaugurated in the small town of Erl in the Tyrolean mountains.

Subject: Aimez-vous Meyerbeer?

Well, so many don’t nowadays, it appears to me, judging by the critical
reception of Robert le Diable at the ROH. Rum-ti-tum? We recall
Macbeth, Rigoletto, Trov and even Trav being characterised
thus, popular fare but risible or blush- making, yet those works now command
the highest respect.

Vienna: the window to modernity

This recital, which focused on a narrowly specific time and place —
1888-1933 Vienna — paradoxically illuminated not only the musical scope and
richness of that epoch but also, as RenÈe Fleming notes in her prefatory programme article, the extraordinary extent of the diversity, transformation and flux, both historical and cultural, that characterised the era.

The Met’s Un Ballo in Maschera difficult to unmask

Director David Alden’s confusing production concepts in Verdi’s A
Masked Ball
may make you wonder whether you came to the right party