From the womb of Night and Death was spawned a race that dwells in Nibelheim (Nebelheim), i.e. in gloomy subterranean clefts and caverns: Nibelungen are they called; with restless nimbleness they burrow through the bowels of the earth, like worms in a dead body; they smelt and smith hard metals.
Category: Repertoire
MartÌn y Soler: Una cosa rara
Una cosa rara, ossia Bellezza ed onest‡. Dramma giocoso in two acts.
Music composed by Vicente MartÌn y Soler (1754–1806). Libretto by Lorenzo Da Ponte from the comedy La luna de la Sierra by Luis VÈlez de Guevara.
Mefistofele at Orange’s ChorÈgies
This is the one where a very personable devil tells God that mankind is so far gone it isn’t worth his time to bother corrupting it further.
A culinary coupling from the Guildhall School of Music and Drama
What a treat the London Music Conservatoires serve up for opera-goers each season. After the Royal Academy’s Bizet double-bill of Le docteur Miracle and La tragÈdie de Carmen, and in advance of the Royal College’s forthcoming pairing of Huw Watkins’ new opera, In the Locked Room, based on a short story by Thomas Hardy, and The Lighthouse by Peter Maxwell Davies, the Guildhall School of Music and Drama have delivered a culinary coupling of Paul Hindemith’s The Long Christmas Dinner and Sir Lennox Berkeley’s The Dinner Engagement which the Conservatoire last presented for our delectation in November 2006.
THOMAS: Hamlet, Moscow 2015
Hamlet: OpÈra in five acts. Music composed by Ambroise Thomas. Libretto by Michel CarrÈ and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare.
La P˙rpura de la Rosa
Advertised in the program as the first opera written in the New World,
La P˙rpura de la Rosa (PR) was premiered in 1701 in Lima
(Peru), but more than the historical feat, true or not, accounts for the
piece’s interest.
Music from Johann Wolfgang von Goethe
“German poet, dramatist and novelist. One of the most important literary and cultural figures of his age, he was recognized during his lifetime for his accomplishments of almost universal breadth. However, it is his literary works that have most consistently sustained his reputation, and that also serve to demonstrate most clearly his many-faceted relationship to music. . . .