Continuing this year’s theme of the relationship between the musical, poetic and visual arts, this Oxford International Song Festival lunchtime recital purported to reflect the topics which ‘fixated the artists…
Category: Reviews
The Colour Revolution: Oxford International Song Festival
The Ashmolean Museum’s current special exhibition, Colour Revolution: Victorian art, fashion & design, aims to dispel the notion of the Victorian era as a bleak, black-and-white industrial age by revealing…
Visions and Visuals: Oxford International Song Festival
When you listen to a piece of music, performed live or on a recording, do visual images and visions sweep or fly through your mind, or fix themselves indelibly on…
Handel’s Clori, Tirsi e Fileno: The English Concert at Wigmore Hall
Clori, Tirsi e Fileno is one of Handel’s many ‘dramatic cantatas’, composed during his Italian sojourn of 1706-10 and performed in the private homes and palaces of wealthy patrons, to…
Lohengrin in San Francisco
This is the excellent David Alden 2018 production from Covent Garden. Here is how it fared at the War Memorial Opera House. It fit like a glove due to strong…
The Britten Sinfonia celebrate Britten at Snape Maltings
On 15 October 1943, Britten’s for tenor, horn and strings received its premiere at Wigmore Hall, performed by Peter Pears, Dennis Brain and a string ensemble conducted by Walter Goehr. …
A hard and heartless Rigoletto at the Royal Opera House
One of my opera-loving friends, a singer and musician herself and a regular devotee of both opera and ballet at the Royal Opera House and elsewhere, never attends performances of…
Cal McCrystal’s Iolanthe is revived at English National Opera
The curtain lifts to reveal a land of fairies: trailing vines, enormous flowers, rainbow-tinted lights. As W.S. Gilbert writes later on, it all looks like something from ‘Andersen’s library’. This…
Magdalena Kožená and Mitsuko Uchida at Wigmore Hall
One performer exudes profundity of thought and subtlety of rhetoric: acute attention to detail, technical finesse and delicate restraint characterise her musicianship. The other has a voice which glows with…
MacMillan, Tavener & Vaughan Williams: the Choir of Westminster Abbey
In its century-spanning traversal of sacred music, this recent issue from Hyperion and the Choir of Westminster Abbey – the last recording from the recently retired Director of Music James…