Franz Schmidt’s The Book with Seven Seals at Grant Park

In keeping with the festival nature of the piece, the Grant Park Orchestra and Chorus, along with guest soloists and a guest chorus director, gave two performances of Franz Schmidt’s Das Buch mit sieben Siegeln on recent weekend evenings.

Mosè in Egitto and Adelaide di Borgogna in Pesaro

It was a no-brainer. The Old Testament Egyptians had to become today’s Palestinians.

BBC Prom 41

This concert of three substantial choral and orchestral works by Benjamin Britten recreated the ‘50th birthday’ Promenade concert which Britten himself conducted on 12 September 1963.

Glimmer, Glamour Back in Cooperstown

A breath of fresh air is making its way through the Glimmerglass Opera festival, and her name is Francesca Zambello.

Ariadne auf Naxos, Dell’Arte Opera Ensemble

Today’s general public labors under the unfortunate misconception that in order to enjoy opera, one needs to be educated and at ease with mobility in social circles largely consisting of decrepit old rich people.

Opera at Grant Park Music Festival

For its seventh program of the Summer 2011 season the Grant Park Music Festival presented concert ensembles performed by members of the Ryan Opera Center of Lyric Opera of Chicago.

Les Contes d’Hoffmann, Wolf Trap

For opera lovers who are serious enough to even think of a performing career, the path is an arduous one.

Prom 32: Brahms and Mahler

Brahms’s Violin Concerto and Mahler’s Das klagende Lied
did not seem to be the most obvious bedfellows — there has been some
rather peculiar programming at this year’s Proms — and even after
further consideration, the only real connection I could muster was that they
were written at the same time: the concerto in 1878, the cantata between 1878
and 1880.

Starry-Crossed Lovers in Bavaria

In the waning days of the annual summer festival, Munich’s Bavarian State Opera fielded enough star power to fire up a minor galaxy with its wholly absorbing production of I Capuleti e i Montecchi.

Risorgimento 150 years after

How the saga of Italian unification in 1861 is being (half-heartedly) celebrated by opera composers.