If proof were needed, the Swiss capital’s heady new Le Comte Ory cements the notion that super-star Cecelia Bartoli certainly seems to have found an ideal home at Zurich Opera.
Category: Performances
Jurowski, Das klagende Lied
Vladimir Jurowski and the London Philharmonic have repeated their success with Mahler’s Das klagende Lied at the Royal Festival Hall.
Die Zauberflˆte, Covent Garden
Premiered in 2003, and aired again in 2005 and 2008, this current revival of David McVicar’s Die Zauberflˆte brings many ‘old hands’ back together to re-visit oft-frequented roles on familiar ground.
Heggie’s Dead Man Walking triumphs at HGO
The production of Jake Heggie’s Dead Man Walking currently on
stage at the Houston Grand Opera is marvelously celebratory in its success.
Lucrezia Borgia, ENO
Donizetti’s Lucrezia Borgia at the English National Opera, London, is an interesting hybrid. The opera is performed “straight” so to speak, but encased in a frame of short filmed passages that add background and depth. These films don’t intrude, but enhance.
Mosheh, a VideOpera
Yoav Gal, an Israeli-born composer-in-residence at the HERE arts complex in
Manhattan’s South Village, calls Mosheh a “VideOpera,” rightly giving as much place to what is seen (electronic projections) as to what is heard (from four sopranos playing the women in the prophet’s life and an orchestra of nine musicians).
BÈrÈnice, Carnegie Hall
AlbÈric Magnard, inspired to abandon the law for music by a visit to Bayreuth in 1886, was wealthy enough to ignore the public and go off on his own to compose.
Jurowski conducts Zemlinsky
This looked an enticing programme before Vladimir Jurowski, in conversation
with the Southbank Centre’s Head of Music, Marshall Marcus, divulged its
secrets.
La Fanciulla in its Anniversary at Lyric Opera of Chicago
In its current production of Giacomo Puccini’s La fanciulla del West Lyric Opera of Chicago celebrates the centenary of the first performances of the opera.
Maria Stuarda, Minnesota Opera
The 2010-2011 season for Minnesota Opera is steeped in Bel Canto
opera selections, starting with Rossini’s Cenerentola this fall, currently featuring Donizetti’s Maria Stuarda, and for the spring, a production of Verdi’s La Traviata with acclaimed Violetta, Elizabeth Futral.