Although over its many years the faces of the Arditti Quartet have changed, its one constant has been Irvine Arditti himself. Now 70-years old, this birthday lunchtime recital, called Gran…
Category: Recitals/Concerts
Tannhäuser at the Boston Symphony Orchestra
The Boston Symphony Orchestra (BSO) has a long tradition of superb concert and semi-staged opera, most recently under conductors like Seiji Ozawa, Colin Davis and Bernhard Haitink, as well as…
Amazone: Lea Desandre and Jupiter at Wigmore Hall
The percussive thump and burr which sparked into life Francesco Provenzale’s ‘Non posso far’ (from his opera Lo Schiavo di sua moglie) at the start of this lunchtime recital by…
Brünnhilde’s Dream: an inventive, expressive and impressive sequence by Rozanna Madylus and Counterpoise at Wigmore Hall
The programme originally planned for this Wigmore Hall recital by the ensemble, Counterpoise, might have been titled ‘Fathers and Daughters’. A new monodrama integrating speech, sprechstimme and singing, The…
Tan Dun’s Buddha Passion: a flawed work which isn’t all it seems
If one thinks of a classical ‘Passion’ one might not expect the Chinese-American composer Tan Dun to feature in any list of compositions. The liturgical, protestant, Passions of Bach (unfashionable…
The Owl and the Nightingale: stylish musical storytelling from the City of London Sinfonia
‘Avian invective’ is, sadly, an all-too-common dissonance on the cyber-airwaves today. But, twittering tiffs are no modern invention: the medieval bird-debate poem tradition offers rich examples of feathery squabbles, such…
Katya Kabanova: orchestral drama from the LSO and Sir Simon Rattle
Perhaps the most perfectly proportioned of Janáček’s operas, certainly one of the most emotionally and dramaturgically correct—which, in Janáček’s case, is saying quite something—Katya Kabanova has not wanted for recent…
Echo: Ruby Hughes and Huw Watkins at Wigmore Hall
Travelling into central London on Sunday afternoon was a slightly strange experience. At least there were trains – never a given these strike-strife days – but footfall was light, despite…
Sorrow and Serenity from Sir Simon Rattle and the LSO at the Barbican Hall
There seems to be much sorrow in the world at the moment, but little serenity. This concert by the London Symphony Orchestra thus offered a welcome balancing of affekts, the…
Rattle’s Stravinsky Journey with the LSO
Criticism of Simon Rattle as a conductor might be justified in several ways; as a creator and innovator of concert programs, however, such criticism would be very wide of the…