Daniel Cat·n: An Interview by Maria Nockin

“You want to frame the voice in such a way that it shines.”— Daniel Cat·n

Opera Bits and Pieces, Gently Scrambled

http://www.nytimes.com/2010/07/08/arts/music/08phil.html

Central City stages Butterfly with a bite

CENTRAL CITY — No matter how much verismo you heap onto Madama
Butterfly
, the opera — the favorite of American companies —
remains a threadbare — if tragic — tale of a love that failed.

Cesare Siepi, Renowned Italian Opera Singer, Dies at 87

http://www.nytimes.com/2010/07/07/arts/music/07siepi.html?src=me

Don Giovanni, Glyndebourne, Sussex, England

http://www.ft.com/cms/s/2/3328e2b0-884d-11df-aade-00144feabdc0.html

London’s Manon: Diva and Divo Deliver

The Royal Opera’s intriguingly staged Manon had all the trappings of success including a soprano at the top of her game, and a tenor on the brink of his fame.

Los Angeles Opera’s ‘Ring’ ends with a deficit but potential new patrons

http://articles.latimes.com/2010/jul/02/entertainment/la-et-ring-ends-20100702

Picture Perfect — Pl·cido Domingo as Simon Boccanegra, Royal Opera

Pl·cido Domingo isn’t a tenor, a baritone or even a singer. He’s a phenomenon. Dozens stood by the stage door at the Royal Opera House to greet him with bouquets.

Baritone Austin Kness on his way

Baritone Austin Kness, an Adler Fellow at San Francisco Opera recently spoke with Opera Today critic Michael Milenski.

The ‘Other Bartoli’

http://www.musicalamerica.com/news/newsstory.cfm?hl=1&n=||&t=&a=&p=&k=vivaldi&archived=0&storyID=23128&categoryID=2