L.A. Opera unearths music suppressed by the Nazis

http://www.ocregister.com/entertainment/music-ullmann-opera-1982435-one-director

Anna Christy Triumphs in Lucia di Lammermoor at ENO

ENO doesnít really go in for bel canto opera. Other than a Maria Stuarda back in the mid 1990s, the only Donizetti opera in the companyís repertoire in the recent past has been the popular Líelisir díamore.

Der fliegende Holl‰nder, Stuttgart Staatsoper

http://www.ft.com/cms/s/0/668a3bc2-da4e-11dc-9bb9-0000779fd2ac.html

Susan Graham; Wigmore Hall

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article3357607.ece

CHERUBINI: Medea

Medea (MÈdÈe): OpÈra comique in three acts.

SALIERI: Prima la musica e poi le parole

In 1786, Habsburg Emperor Joseph II commissioned a pair of short operas from two of the biggest names in Viennese musical theater: Salieri and Mozart.

Jonas KaufmannóRomantic Arias

Jonas Kaufmannís debut album is a treat to the ears of opera lovers.

ENO’s The Mikado

Director Jonathan Miller was there at the curtain call to greet the first night of this latest revival of a production which has now been in ENO’s repertoire for twenty years.

LA Opera: Tristan und Isolde

My Valentine’s Day gift came a bit early courtesy of Los Angeles Opera. Of course, it is to be hoped that your own celebration has a happier outcome than that of opera’s most famous Love Couple, “Tristan und Isolde.”

Rodelinda at Portland

Valentine’s Day may not quite be in the same major holiday league with the Fourth of July or New Year’s Eve, but you wouldn’t have known it from the fireworks emanating from the stage of Portland Opera, in the form of some dazzling Valentine’s night vocalizing in quite a fine production of Handel’s “Rodelinda.”