Sephardi singer keeps father’s ancient passions and language alive in song

http://www.theage.com.au/news/music/sephardi-singer-keeps-fathers-ancient-passions-and-language-alivein-song/2008/02/20/1203467172997.html

Giulio Cesare, Amsterdam

http://www.ft.com/cms/s/a638c8fe-dfd7-11dc-8073-0000779fd2ac.html

Houston Grand Opera: A Life of Many Acts

http://www.playbillarts.com/features/article/7567.html

JosÈ Carreras

http://music.guardian.co.uk/live/story/0,,2258097,00.html

L.A. Opera unearths music suppressed by the Nazis

http://www.ocregister.com/entertainment/music-ullmann-opera-1982435-one-director

Anna Christy Triumphs in Lucia di Lammermoor at ENO

ENO doesnít really go in for bel canto opera. Other than a Maria Stuarda back in the mid 1990s, the only Donizetti opera in the companyís repertoire in the recent past has been the popular Líelisir díamore.

Der fliegende Holl‰nder, Stuttgart Staatsoper

http://www.ft.com/cms/s/0/668a3bc2-da4e-11dc-9bb9-0000779fd2ac.html

Susan Graham; Wigmore Hall

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article3357607.ece

CHERUBINI: Medea

Medea (MÈdÈe): OpÈra comique in three acts.

SALIERI: Prima la musica e poi le parole

In 1786, Habsburg Emperor Joseph II commissioned a pair of short operas from two of the biggest names in Viennese musical theater: Salieri and Mozart.