http://www.newsday.com/features/printedition/ny-secfirst4742578may16,0,6558420.story
PUCCINI: Madama Butterfly
All is right and good in the world of opera as long as the Arena di Verona puts on vivid productions, in questionable taste, with impassioned singers pouring out the volume, in questionable taste, and the audience roaring its approval – in questionable taste.
ROSSINI: La Scala Di Seta
Here is another handsome production of an early Rossini one-act comedy from the Schwetzingen festival, held at the charming and tiny Rokoko theater in May 1990.
MAHLER: Symphony no. 6
In recent years the Sixth Symphony of Gustav Mahler has gained some prominence with the declaration by the internationale Gustav Mahler Gesellschaft about the only correct order of the internal movements, a position that has inspired some discussion among enthusiasts.
VERDI: Nabucco
The booklet somewhat proudly tells us that “a modern Italian opera-going public would likely walk out in horror if confronted with the avant-garde productions of many German opera houses.
Parsifal, Metropolitan Opera, New York
http://news.ft.com/cms/s/558b4320-e432-11da-8ced-0000779e2340.html
GLUCK: Orfeo ed Euridice
Orfeo ed Euridice. Azione teatrale in three acts (Italian version).
OrphÈe et Eurydice. TragÈdie opÈra in three acts (French version).
Three Releases from Nightingale Classics
Frank Sinatra had Reprise. The Beatles had Apple. Madonna has Maverick. And Edita Gruberova has Nightingale.
Deep Baritone: Dmitri Hvorostovsky
http://www.newyorkmag.com/arts/classicaldance/classical/profiles/16993/index.html