Mozart’s Lucio Silla

The teenage Mozart and the trinity By Shirley Apthorp Published: December 3 2004 02:00 | Last updated: December 3 2004 02:00 The walls of the set model can be lifted…

Anne Sofie von Otter at Théâtre du Châtelet, Paris

Troubadour des temps modernes bq. Avec toujours un meme gout pour l’éloquente clarté, Anne Sofie von Otter sait tout faire. Bete de scène inespérée, elle est récitaliste sans appret ni…

An Interview with Juan Diego Flórez

“Nunca he sido un melómano” bq. Es el tenor del momento, y sorprende que ostente la corona al reconocérsele sólo como un experto rossiniano. Odia las entrevistas porque le roban…

Praises for Rodelinda at the Met

Review: ‘Rodelinda’ at Met Is Masterpiece MIKE SILVERMAN Associated Press NEW YORK – George Frideric Handel’s “Rodelinda” was a huge success at its London premiere in 1725, but it soon…

Joan Sutherland Named as 2004 Kennedy Center Honoree

World of opera graced by the true grande dame By T.L. Ponick SPECIAL TO THE WASHINGTON TIMES Published December 3, 2004 Legendary coloratura soprano Joan Sutherland says she was “bowled…

Glimmerglass Opera 2005

GLIMMERGLASS OPERA ANNOUNCES 2005 FESTIVAL SEASON Four New Productions to Run in Repertory June 30 through August 23, 2005 COOPERSTOWN, NY. Glimmerglass Opera has announced the repertory for its 2005…

WARRACK: German Opera — From the Beginnings to Wagner

Writing a history of an important and complex operatic repertory spanning three dynamic centuries is a daunting task, one that is perhaps better suited to several specialists than a single author. While an individual rarely possesses the scholarly breadth to write with expertise and authority on so much music, he or she can impart a unifying perspective and a consistent set of goals. But this advantage can also prove to be a limitation.

Who Said Wagner Didn’t Have a Sense of Humor?

bq. Australia forges a ‘Ring’ with confidence By Shirley Apthorp Published: November 30 2004 Where do the Valkyries meet between battles? At the Wunder Bar, of course. Schwertleite, Grimgerde and…

Pierre Jourdan Resurrects Haÿdée at Compiègne

OPéRA “Hayedée” à Compiègne Auber sort de l’oubli Jacques Doucelin [Le Figaro] [30 novembre 2004] Et de cinq ! Après Manon Lescaut, Gustave III, Le Domino noir et Les Diamants…

La Diva Renée

The ‘Voice’ of the Darling Diva By BARBARA JEPSON November 30, 2004 New York For sheer beauty of sound, no soprano today can match Renee Fleming. Her rich, golden-hued voice…