The Comeback Composer Opera World Taps Handel To Woo New Audiences; Cleopatra in Gold Lamé By HEIDI WALESON The last time Michael Goodman had season tickets to the Metropolitan Opera…
FT: Martin Bernheimer reviews Daphne
Daphne New York City Opera By Martin Bernheimer Published: September 10 2004 03:00 | Last updated: September 10 2004 03:00 It took 66 years for Richard Strauss’sDaphne to reach a…
FT: Orion/Saariaho, Bluebeard/Bártok BBC Proms, Royal Albert Hall, London
By David Murray Published: September 9 2004 05:00 | Last updated: September 9 2004 05:00 Jukka-Pekka Saraste conducted the UK premiere of Kaija Saariaho’s grand new Orion followed by Bártok’s…
Simon Heighes Reviews L’Amfiparnaso
In the September 2004 issue of International Record Review, Simon Heighes reviews Orazio Vecchi’s L’Amfiparnaso, a new DVD under the Chandos Chaconne label. Composed in 1597, L’Amfiparnaso is a realization…
Fanfare Reviews Die Loreley
PACIUS Die Loreley * Osmo Vänskä, cond; Cornelius Hauptmann (Hubert); Soile Isokoski (Lenore); Riikka Rantanen (Bertha); Raimo Sirkiä (Otto); Topi Lehtipuu (Reinald); Arttu Kataja (Leupold); Lahti SO; Dominante Ch *…
Le Figaro: Charpentier en majesté
Charpentier en majesté Jacques Doucelin [08 septembre 2004] Bien avant d’imposer la victoire définitive de la vague baroque avec Atys, de Lully, William Christie s’était attelé à la redécouverte de…
Andante: Santa Fe Opera Aims High
Santa Fe Opera Aims High By David Patrick Stearns Three of the 2004 season’s productions — Don Giovanni, Agrippina and La sonnambula (starring Natalie Dessay) — prove very worthwhile, even…
ÓPERA ACTUAL: Angela Gheorghiu
Angela Gheorghiu “Sé lo que quiero en la vida” Todavía resuenan los ecos de su renuncia a esa Traviata que inauguraba la pasada temporada del Teatro Real. Después de su…
NYT: Enough to Make Handel Reach for His Walkman
Enough to Make Handel Reach for His Walkman By ANTHONY TOMMASINI During the late 1720’s Handel had two rival prima donnas in the London opera company he ran: Francesca Cuzzoni…
The Independent: The Sydney Opera House: a father and son enterprise
In 1966 Jørn Utzon was forced to quit as architect of the Sydney Opera House before it was complete. Next week, the first new interiors he and his son have…