Harry Bicket assembled the ‘Dream Team’ for this English Concert programme of music by Henry Purcell and John Blow. Seven internationally renowned singers were joined by new-kid-on-the-block, countertenor Hugh Cutting,…
Tag: Iestyn Davies
Prom 43: Handel’s Solomon
Some of Handel’s oratorios aspire to theatre; some have had theatre thrust upon them. Solomon has neither sustained drama nor a coherent narrative, but it does have some fantastic music…
A Musical Banquet: Iestyn Davies and Thomas Dunford
Hot off the press in 1610 was A Musicall Banquet furnished with varietie of delicious Ayres, Collected out of the best Authors in English, French, Spanish and Italian – a compilation…
Iestyn Davies and Arcangelo: Bach cantatas
In 2017, Iestyn Davies added an MBE, for his services to music, and a Gramophone Award, for his Hyperion recording with Jonahan Cohen and Arcangelo of three of Bach’s solo…
Arcangelo perform Bach’s St Matthew Passion at the BBC Proms
When Arcangelo performed Handel’s Theodora on the penultimate evening of the 2018 Proms season, I wondered whether a small period-instrument ensemble and singers could surmount the challenges posed by the…
The Complete Songs of Fauré Vol. 4: varied performances highlight vocal diversity
The final instalment of Signum’s four-part Fauré exploration comes, as previously, with the ever-reliable collaborator Malcolm Martineau. This disc’s two dozen plus songs are shared by a luxury line-up of…
Handel’s London Altos: Iestyn Davies at Kings Place
At Kings Place it’s currently half-portions and double-helpings: to ‘get round’ the 50% capacity restrictions, the answer is simply to perform the concert twice – and Iestyn Davies and the…
Iestyn Davies and Arcangelo, at Wigmore Hall
I have a vague memory of having heard Iestyn Davies sing Handel’s Nine German Arias before at Wigmore Hall, perhaps ten or so years ago … but my review files…
‘Ariodante in concert’ at the Royal Opera House
Ariodante is surely one of Handel’s most ‘human’ dramas. It’s not just that the libretto –anonymously adapted from Antonio Salvi’s Ginevra, principessa di Scozia, after Ariosto’s Orlando furioso – involves…