Like all productions by Russian revisionist stage director Dimitri Tcherniakov, the Bayreuth 2021 Dutchman production is fraught with meaning, delving deeply into the contemporary resonances he discovers in nineteenth century…
Tag: Milenski
Il ritorno d’Ulisse at the Aix Festival
Pierre Audi, the artistic director of the Aix Festival, completed the Aix Festival’s Monteverdi cycle just now by staging, himself, this Il ritorno d’Ulisse (1640). L’Orfeo (1607) was staged by…
FIFOE 2024 in Entrecasteaux
The Festival International de Film d’Opéra à Entrecasteaux (a tiny village in Provence not far from the A8 autoroute connecting Nice and Marseille). The second edition of this unique summer…
Samson at the Aix Festival
Rameau’s Samson, with the libretto by François-Marie Arouet aka Voltaire, or rather a sort of Rameau/Voltaire Samson imagined by French early music conductor Raphaél Pichon and German stage director Otto Guth,…
Songs and Fragments at the Aix Festival
That’s Eight Songs for a Mad King (1969) by Peter Maxwell Davies and Kafka-Fragmente (1987) by György Kurtág, an inspired pairing by Pierre Audi, the artistic director of the Aix…
Madama Butterfly at the Aix Festival
Well, why not? Why not place this iconic statement of Italian verismo in the hands of a hyper-teutonic, avant-garde (ish) stage director, adding in a new-age Italian conductor for good…
Iphigénie at the Aix Festival
Both of them — her death in Aulide and her resurrection in Tauride, back to back, in a surreal world created by Russian stage director Dimitri Tcherniakov, rendered in overdrive…
L’Orfeo at Cremona’s Monteverdi Festival
The stage director informed us that this Orfeo was effected through the lens of quantum physics and the Schrödinger paradox. Be that as it may, it was a splendid L’Orfeo…
La Vestale in Paris
Though composed in 1805 Gaspare Spontini’s La Vestale reached the Paris Opera stage finally in 1807, and then only because Empress Josephine intervened. The empress would not have been amused just now…
Partenope in San Francisco
Unlike many of the recycled productions at San Francisco Opera, Christopher Alden’s famed 2008 production of Handel’s comedy Partenope, just now on the War Memorial stage, has lost none of…