16 Jul 2010
The Duchess of Malfi, Great Eastern Quay, London
http://www.ft.com/cms/s/2/087b4056-906a-11df-ad26-00144feab49a.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/2/087b4056-906a-11df-ad26-00144feab49a.html
By Laura Battle [Financial Times, 16 July 2010]
One trend in the arts in recent years has been a growing audience for one-off projects, people who are not interested in art, theatre or music per se, but in events. Generally, they are young and hungry for new experiences, and institutions have been quick to capitalise. That tickets for The Duchess of Malfi, a new opera installation presented by English National Opera and the experimental theatre group Punchdrunk, sold out in six hours gives some measure of the demand.