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Elsewhere

Glyndebourne’s first production of Dialogues des Carmélites to open Glyndebourne Festival 2020

Glyndebourne’s first production of Poulenc’s Dialogues des Carmélites will open Glyndebourne Festival 2020, it was announced today. The opera house unveiled its 2020 plans at an event in its recently built Production Hub, hosted by Glyndebourne’s new senior leadership team, Artistic Director Stephen Langridge and Managing Director Sarah Hopwood, who jointly replace the former position of General Director.

Peter Sellars' kinaesthetic vision of Lasso's Lagrime di San Pietro

On 24th May 1594 just a few weeks before his death on 14 June, the elderly Orlando di Lasso signed the dedication of his Lagrime di San Pietro - an expansive cycle of seven-voice penitential madrigale spirituali, setting vernacular poetry on the theme of Peter’s threefold denial of Christ - to Pope Clement VIII.

Garsington Opera Announces 2020 season and 2019 Paris Performance

Garsington Opera is delighted to announce the 2020 season that will open on 28 May, featuring three new productions - Verdi’s Un giorno di regno, Mozart’s Mitridate, re di Ponto, Dvořák’s Rusalka and a revival of John Cox’s legendary production of Beethoven’s Fidelio.

Karlheinz Stockhausen: Donnerstag aus Licht

Stockhausen was one of the most visionary of composers, and no more so than in his Licht operas, but what you see can often get in the way of what you hear. I’ve often found fully staged productions of his operas a distraction to the major revelation in them - notably the sonorities he explores, of the blossoming, almost magical acoustical chrysalis, between voices and instruments.

David McVicar's Andrea Chénier returns to Covent Garden

Is Umberto’s Giordano’s Andrea Chenier a verismo opera? Certainly, he is often grouped with Mascagni, Cilea, Leoncavallo and Puccini as a representative of this ‘school’. And, the composer described his 1876 opera as a dramma de ambiente storico.

Glyndebourne presents Richard Jones's new staging of La damnation de Faust

Oratorio? Opera? Cantata? A debate about the genre to which Berlioz’s ‘dramatic legend’, La damnation de Faust, should be assigned could never be ‘resolved’.

Jean Sibelius: Kullervo

Why did Jean Sibelius suppress Kullervo (Op. 7, 1892)? There are many theories why he didn’t allow it to be heard after its initial performances, though he referred to it fondly in private. This new recording, from Hyperion with Thomas Dausgaard conducting the BBC Scottish Symphony Orchestra, soloists Helena Juntunen and Benjamin Appl and the Lund Male Chorus, is a good new addition to the ever-growing awareness of Kullervo, on recording and in live performance.

Hampstead Garden Opera presents Partenope-on-sea

“Oh! I do like to be beside the seaside! I do like to be beside the sea!” And, it was off to the Victorian seaside that we went for Hampstead Garden Opera’s production of Handel’s Partenope - not so much for a stroll along the prom, rather for boisterous battles on the beach and skirmishes by the shore.

Henze's Phaedra: Linbury Theatre, ROH

A song of love and death, loss and renewal. Opera was born from the ambition of Renaissance humanists to recreate the oratorical and cathartic power of Greek tragedy, so it is no surprise that Greek myths have captivated composers of opera, past and present, offering as they do an opportunity to engage with the essential human questions in contexts removed from both the sacred and the mundane.

Un ballo in maschera at Investec Opera Holland Park: in conversation with Alison Langer

“Sop. Page, attendant on the King.” So, reads a typical character description of the loyal page Oscar, whose actions, in Verdi’s Un ballo in maschera, unintentionally lead to his monarch’s death. He reveals the costume that King Gustavo is wearing at the masked ball, thus enabling the monarch’s secretary, Anckarstroem, to shoot him. The dying King falls into the faithful Oscar’s arms.

Martin Duncan directs the first UK staging of Offenbach's Fantasio at Garsington

A mournful Princess forced by her father into an arranged marriage. A Prince who laments that no-one loves him for himself, and so exchanges places with his aide-de-camp. A melancholy dreamer who dons a deceased jester’s motley and finds himself imprisoned for impertinence.

Thomas Larcher's The Hunting Gun at the Aldeburgh Festival: in conversation with Peter Schöne

‘Aloneness’ does not immediately seem a likely or fruitful subject for an opera. But, loneliness and isolation - an individual’s inner sphere, which no other human can truly know or enter - are at the core of Yasushi Inoue’s creative expression.

Actress x Stockhausen Sin {x} II - a world premiere

Is it in any sense aspirational to imitate - or even to try to create something original - based on one of Stockhausen’s works? This was a question I tried to grapple with at the world premiere of Actress x Stockhausen Sin {x} II.

The London Handel Festival and The Royal Opera announce a co-production of Handel’s Susanna starring members of The Royal Opera’s Jette Parker Young Artists Programme

The London Handel Festival and The Royal Opera today [14 May 2019] announced a co-production of Handel’s oratorio Susanna as part of the 2020 London Handel Festival. The new production, performed in English in the Linbury Theatre [5 - 14 March 2020], will star members and Link Artists from The Royal Opera’s Jette Parker Young Artists Programme. Handel’s Susanna was written for Covent Garden and had its premiere on the site in 1749, but has not been performed at Covent Garden since.

Royal Opera House announces 17 new productions for its 2019/20 Season

The Royal Opera House today launches its 2019/20 Season, unveiling an exciting range of new commissions, world premieres and much-loved revivals, supported by a diverse range of ticketed and free daytime events, activities and festivals for people of all ages. In the first full Season since the completion of the Royal Opera House’s three-year Open Up renovation, The Royal Opera Company unveils a host of innovative new work, with 13 new productions, including two world premieres, in the Season ahead.

The BBC Singers and the Academy of Ancient Music join forces for Handel's Israel in Egypt

The biblical account of the Exodus of the Israelites from Egypt is the defining event of Jewish history. By contrast, Handel’s oratorio Israel in Egypt has struggled to find its ‘identity’, hampered as it is by what might be termed the ‘Part 1 conundrum’, and the oratorio has not - despite its repute and the scholarly respect bestowed upon it - consistently or fully satisfied audiences, historic or modern.

Measha Brueggergosman: The Art of Song – Ravel to John Cage

A rather charming story recently appeared in the USA of a nine-year old boy who, at a concert given by Boston’s Handel and Haydn Society, let out a very audible “wow” at the end of Mozart’s Masonic Funeral Music. I mention this only because music – whether you are neurotypical or not – leads to people, of any age, expressing themselves in concerts relative to the extraordinary power of the music they hear. Measha Brueggergosman’s recital very much had the “wow” factor, and on many distinct levels.

In interview with Polly Graham, Artistic Director of Longborough Festival Opera

What links Wagner’s Das Rheingold, Donizetti’s Anna Bolena, Mozart’s Don Giovanni and Cavalli’s La Calisto? It sounds like the sort of question Paul Gambaccini might pose to contestants on BBC Radio 4’s music quiz, Counterpoint.

World premiere of Cecilia McDowall's Da Vinci Requiem

The quincentennial of the death Leonardo da Vinci is one of the major events this year – though it doesn’t noticeably seem to be acknowledged in new music being written for this.

Mahler: Titan, Eine Tondichtung in Symphonieform – François-Xavier Roth, Les Siècles

Not the familiar version of Mahler's Symphony no 1, but the “real” Mahler Titan at last, as it might have sounded in Mahler's time! François-Xavier Roth and Les Siècles present the symphony in its second version, based on the Hamburg/Weimar performances of 1893-94. This score is edited by Reinhold Kubik and Stephen E.Hefling for Universal Edition AG. Wien.


OPERA TODAY ARCHIVES »

Repertoire

Carlo Diacono
27 Apr 2019

Carlo Diacono: L’Alpino

“Diacono himself does not know what musical talent he possesses” – Mascagni »

Recently in Repertoire

All Pages |  1  |  2  |  3  |  4 
24 Aug 2008

STRAUSS: Die Frau ohne Schatten — Covent Garden 1976

Die Frau ohne Schatten: Oper in three acts »

17 Aug 2008

STRAUSS: Der Rosenkavalier — Hamburg 1992

Der Rosenkavalier (‘The Knight of the Rose’): Komödie für Musik in 3 acts. »

10 Aug 2008

STRAUSS: Der Rosenkavalier — Wien 1987

Der Rosenkavalier (‘The Knight of the Rose’): Komödie für Musik in 3 acts. »

04 Aug 2008

MOZART: Die Entführung aus dem Serail — Salzburg 1997

Die Entführung aus dem Serail: Singspiel in 3 Acts. »

27 Jul 2008

MOZART: Die Entführung aus dem Serail — Salzburg 1975

Die Entführung aus dem Serail: Singspiel in 3 Acts. »

20 Jul 2008

MOZART: Idomeneo — Munich 2008

Idomeneo, rè di Creta: Dramma per musica in tre atti (K. 366). »

13 Jul 2008

MOZART: Idomeneo (Britten ed.)

Idomeneo, rè di Creta: Dramma per musica in tre atti (K. 366). »

06 Jul 2008

MOZART: Così fan tutte — Wien 2008

Così fan tutte, ossia La scuola degli amanti (K. 588). Opera buffa in two acts. »

30 Jun 2008

MOZART: Così fan tutte — Salzburg 2004

Così fan tutte, ossia La scuola degli amanti (K. 588). Opera buffa in two acts. »

22 Jun 2008

MOZART: Die Zauberflöte — Salzburg 2006

Die Zauberflöte: Singspiel in two acts, K. 620 »

15 Jun 2008

MOZART: Die Zauberflöte — Salzburg 2005

Die Zauberflöte: Singspiel in two acts, K. 620 »

08 Jun 2008

MOZART: La Clemenza di Tito — ENO 2007

La Clemenza di Tito: Opera seria in two acts, K621. »

01 Jun 2008

MOZART: La Clemenza di Tito — Covent Garden 1976

La Clemenza di Tito: Opera seria in two acts, K621. »

25 May 2008

MOZART: Le Nozze di Figaro — Vienna 2001

Le Nozze di Figaro (The Marriage of Figaro): Opera buffa in four acts, K492 »

18 May 2008

MOZART: Le Nozze di Figaro — Salzburg 2001

Le Nozze di Figaro (The Marriage of Figaro): Opera buffa in four acts, K492 »

11 May 2008

MOZART: Don Giovanni — Salzburg 2002

Il dissoluto punito ossia il Don Giovanni (K. 527): Drama giocoso in two acts »

04 May 2008

MOZART: Don Giovanni — Salzburg 1953

Il dissoluto punito ossia il Don Giovanni (K. 527): Dramma giocoso in two acts »

27 Apr 2008

MASSENET: Chérubin

Chérubin: Comédie chantée in three acts. »

21 Apr 2008

MASSENET: Marie-Magdeleine

Marie-Magdeleine: Drame sacré in three acts and four scenes »

13 Apr 2008

MASSENET: Le Cid

Le Cid: opéra in four acts and ten tableaux. »

06 Apr 2008

MASSENET: Esclarmonde

Esclarmonde: Opéra romanesque in four acts and eight tableaux. »

30 Mar 2008

MASSENET: Cendrillon

Cendrillion, Conte de Fées in 4 ActsMusic composed by Jules Massenet (1842–1912). Libretto by Henri Cain after Perrault. »

16 Mar 2008

MASSENET: Manon

Manon: Opéra comique in 5 acts and 6 tableaux »

09 Mar 2008

MASSENET: Thaïs

Thaïs: Comédie lyrique in three acts and seven scenes. »

03 Mar 2008

JOMMELLI: Fetonte

Fetonte: Dramma per musica in three acts. »

25 Feb 2008

VINCI: La Partenope

La Partenope: Dramma per musica in three acts. »

19 Feb 2008

CHERUBINI: Medea

Medea (Médée): Opéra comique in three acts. »

10 Feb 2008

MARTÍN Y SOLER: Andromaca

Andromaca: Dramma per musica in three acts. »

03 Feb 2008

ROSSINI: Ermione

Ermione: Azione tragica in two acts. »

27 Jan 2008

TRAETTA: Ippolito ed Aricia

Ippolito ed Aricia: Tragedia in five acts. »

20 Jan 2008

MOZART/STRAUSS: Idomeneo

Idomeneo: Opera seria in three acts. »

13 Jan 2008

GLUCK: Paride ed Elena

Paride ed Elena: Dramma per musica in five acts. »

10 Jan 2008

GLUCK/BERLIOZ: Orphée

Orphée: Opera in four acts. Music composed by Christoph Willibald Gluck (arranged by Hector Berlioz, 1859). Libretto by Ranieri de' Calzabigi  »

26 Dec 2007

LULLY: Alceste, ou Le triomphe d’Alcide

Alceste, ou Le triomphe d’Alcide: Tragédie en musique in a prologue and five acts. »

17 Dec 2007

GLUCK: Alceste

Alceste: Tragédie opéra in three acts. »

12 Dec 2007

PACINI: Medea

Medea: Melodramma tragico in three acts. »

06 Dec 2007

SACCHINI: Oedipe à Colone

Oedipe à Colone: Tragédie lyrique in three acts. »

27 Nov 2007

STRAUSS : Elektra

Elektra: Tragedy in one act. »

18 Nov 2007

PAISIELLO: Fedra

Fedra: Dramma per musica in two acts. »

11 Nov 2007

BERLIOZ: Les Troyens

Les Troyens: Grand opéra in five acts. »

28 Oct 2007

WAGNER: Die Meistersinger von Nürnberg

Die Meistersinger von Nürnberg: Music drama in three acts. »

21 Oct 2007

STRAUSS: Ariadne auf Naxos

Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal. »

21 Oct 2007

MOZART: Der Schauspieldirektor

Der Schauspieldirektor [The Impresario], Singspiel in one act, K486. »

07 Oct 2007

SALIERI: Prima la musica e poi le parole

Divertimento teatrale in one act. »

23 Sep 2007

GIORDANO: Andrea Chénier

Andrea Chénier, an opera in four acts. »

16 Sep 2007

DONIZETTI: La Figlia del Reggimento

La figlia del reggimento [La Fille du régiment (‘The Daughter of the Regiment’)], Opéra comique in two acts. »

10 Sep 2007

DONIZETTI: L’elisir d’amore

L’elisir d’amore, Melodramma giocoso in two acts. »

09 Sep 2007

PUCCINI: La Bohème

La Bohème, opera in four acts. Music composed by Giacomo Puccini. Libretto by Giuseppe Giacosa and Luigi lllica, based on episodes from Henri Murger’s Scènes de la vie de Bohème. »

02 Sep 2007

VERDI: Giovanna d’Arco

Giovanna d’Arco, dramma lirico in a prologue and three acts.Music composed by Giuseppe Verdi. Libretto by Temistocle Solera. »

27 Aug 2007

MARSCHNER: Der Templer und die Jüdin

Der Templer und die Jüdin, Grosse romantische Oper in three acts. »

19 Aug 2007

GLUCK: Iphigénie en Tauride

Iphigénie en Tauride, Tragédie Lyrique in four acts. »

12 Aug 2007

SPONTINI: La Vestale

La Vestale, a tragédie lyrique in three acts. »

04 Jul 2007

HANDEL: Giulio Cesare in Egitto

Giulio Cesare in Egitto (HWV 17), Drama in three acts.Music composed by Georg Friedrich Handel (1685–1759). Libretto by Nicola Francesco Haym after an earlier libretto by Giacomo Francesco Bussani. »

04 Jul 2007

RIMSKY-KORSAKOV: Coq d'Or

The Golden Cockerel [Zolotoy petushok (Le coq d’or)], a dramatized fable with a prologue, three acts and an epilogue. »

24 Jun 2007

HAYDN: Die Schöpfung

Die Schöpfung, Oratorium in drei TeilenMusic composed by Franz Joseph Haydn. Libretto by Gottfried van Swieten based on selections from the Book of Genesis and Paradise Lost by John Milton. »

17 Jun 2007

HANDEL: Theodora

Theodora, oratorio in three acts (HWV 68). »

10 Jun 2007

HANDEL: Solomon

Solomon, an oratorio in three acts (HWV 67). »

04 Jun 2007

HANDEL: Israel in Egypt

Israel in Egypt, an oratorio in two parts (HWV 54). »

28 May 2007

HANDEL: Judas Maccabaeus (HWV 63)

Judas Maccabaeus, a sacred drama in three acts (HWV 63). »

20 May 2007

HANDEL: Saul (HWV 53)

Saul, oratorio in three acts (HWV 53). »

17 May 2007

HANDEL: Jephtha (HWV 70)

Jephtha, oratorio in three parts (HWV 70). »

08 May 2007

MASSENET: Hérodiade

Hérodiade, opera in four acts. »

02 May 2007

STRAUSS: Salome

Salome, Musikdrama in one act. »

21 Apr 2007

VERDI: Nabucco (Nabucodonosor)

Nabucco (Nabucodonosor), Drama lirico in four parts. »

15 Apr 2007

ROSSINI: Mosè

Mosè (Moïse et Pharaon, ou Le passage de la Mer Rouge), Melodramma in four acts »

09 Apr 2007

SAINT-SAËNS: Samson et Dalila

Samson et Dalila, grand opera in three acts and four tableaux. »

03 Apr 2007

VERDI: Falstaff

Falstaff, commedia lirica in three acts. »

25 Mar 2007

VERDI: Rigoletto

Rigoletto, melodramma in three acts. »

18 Mar 2007

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogoMusic and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe »

14 Mar 2007

PONCHIELLI: La Gioconda

La Gioconda, dramma lirico in four acts.Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835). »

04 Mar 2007

VERDI: Il Trovatore

Il Trovatore, dramma in four parts. »

27 Feb 2007

BIZET: Carmen

Opéra comique in four acts.Music composed by Georges Bizet (1838-1875). Libretto by Henri Meilhac and Ludovic Halévy after Prosper Mérimée’s novella, Carmen. »

20 Feb 2007

VERDI: Aida

Aida, opera in four acts. »

11 Feb 2007

LEONCAVALLO: I Pagliacci

I Pagliacci, dramma in a prologue and two acts. »

05 Feb 2007

MASCAGNI: Cavalleria Rusticana

Cavalleria Rusticana, melodramma in one act. »

28 Jan 2007

PUCCINI: La Bohème

La Bohème, opera in four acts. Music composed by Giacomo Puccini. Libretto by Giuseppe Giacosa and Luigi lllica, based on episodes from Henri Murger’s Scènes de la vie de Bohème. »

21 Jan 2007

PUCCINI: Manon Lescaut

Manon Lescaut, dramma lirico in quattro atti Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists. First performance: 1 February 1893 at Teatro Regio, Turin. »

15 Jan 2007

PUCCINI: Madama Butterfly

Madama Butterfly, opera in two acts. »

07 Jan 2007

GIORDANO: Andrea Chénier

Andrea Chénier, an opera in four acts. »

25 Dec 2006

STRAUSS: Vier Letzte Lieder

Vier Letzte Lieder [Four Last Songs] »

22 Dec 2006

BERLIOZ: Les Nuits d'Été

Les Nuits d'Été (The Nights of Summer), Op. 7. »

10 Dec 2006

WAGNER: Wesendonck Lieder

Fünf Gedichte für eine Frauenstimme (“Wesendonck Lieder”) [Five Poems for a Female Voice] »

04 Dec 2006

KORNGOLD: Die Tote Stadt

Die Tote Stadt, an opera in three acts.Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach. »

01 Dec 2006

MARSCHNER: Hans Heiling

Hans Heiling, romantic opera in three acts and prologue.Music composed by Heinrich Marschner (1795-1861). Libretto by Philipp Eduard Devrient, based on Bohemian legends. »

28 Nov 2006

MEYERBEER: Robert Le Diable

Robert Le Diable, grand opera in five acts. Music by Giacomo Meyerbeer (1791-1864). Libretto by Eugène Scribe and Germaine Delavigne. »

19 Nov 2006

MARSCHNER: Der Vampyr

Der Vampyr, romantic opera in two acts in the version by Hans Pfitzner (1924). »

12 Nov 2006

DONIZETTI: Don Sebastiano

Don Sebastiano, Italian translation of Dom Sébastien, roi de Portugal, a grand opera in five acts. »

10 Nov 2006

MEYERBEER: Les Huguenots

Les Huguenots, an opera in five acts.Music composed by Giacomo Meyerbeer (1791-1864). Libretto by Eugéne Scribe and Emile Deschamps. »

27 Oct 2006

VERDI: Don Carlo — Berlin 1948

Don Carlo, an opera in five acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini. »

22 Oct 2006

PUCCINI: Turandot

Turandot, dramma lirico in three acts. »

15 Oct 2006

DONIZETTI: Rita

Rita ou Le mari battu, a comic opera in one act.Music composed by Gaetano Donizetti (1797-1848). Libretto by Gustave Vaëz. »

08 Oct 2006

ROSSINI: Il Signor Bruschino

Il Signor Bruschino, Farsa giocosa per musica in one act »

01 Oct 2006

VIVALDI: Tito Manlio

Tito Manlio (Titus Manlius), dramma per musica in 3 acts. Music composed by Antonio Vivaldi (1678–1741) based on a libretto by Matteo Noris (? – 1714). »

24 Sep 2006

VERDI: I vespri siciliani

I vespri siciliani, grand opera in five acts. Italian edition of Les vépres siciliennes. »

08 Sep 2006

VERDI: Un ballo in maschera

Un ballo in maschera, a melodramma in three acts.Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833) »