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Elsewhere

Nabucco in Novi Sad

After the horrors of Jagoš Marković’s production of Le Nozze di Figaro in Belgrade, I was apprehensive lest Nabucco in Serbia’s second city of Novi Sad on 22nd October would be transplanted from 6th century BC Babylon to post-Saddam Hussein Tikrit or some bombed-out kibbutz in Beersheba.

La Bohème in San Francisco

First Toronto, then Houston and now San Francisco, the third stop of a new production of Puccini's La bohème by Canadian born, British nurtured theater director John Caird.

Radvanovsky Sings Recital in Los Angeles

Every once in a while Los Angeles Opera presents an important recital in the three thousand seat Dorothy Chandler Pavilion.

L’elisir d’amore, Royal Opera

This third revival of Laurent Pelly’s production of Donizetti’s L’elisir d’amore needed a bit of a pep up to get moving but once it had been given a shot of ‘medicinal’ tincture things spiced up nicely.

Samling Showcase, Wigmore Hall

Founded in 1996, Samling describes itself as a charity which ‘inspires musical excellence in young people’.

La cenerentola in San Francisco

The good news is that you don’t have to go all the way to Pesaro for great Rossini.

Rameau: Maître à danser — William Christie, Barbican London

Maître à danser: William Christie and Les Arts Florissants at the Barbican, London, presented a defining moment in Rameau performance practice, choreographed with a team of dancers.

Le Nozze di Figaro — or Sex on the Beach?

The most memorable thing (and definitely not in a good way) about this performance of Le Nozze di Figaro at the Serbian National Theatre in Belgrade was the self-serving, infantile, offensive and just plain wrong production by celebrated Serbian theatre director Jagoš Marković.

The Met mounts a well sung but dramatically unconvincing ‘Carmen’

Should looks matter when casting the role of the iconic temptress for HD simulcast?

Maurice Greene’s Jephtha

Maurice Greene (1696-1755) had a highly successful musical career. Organist of St. Paul’s Cathedral, a position to which he was elected when he was just 22 years-old, he later became organist of the Chapel Royal, Professor of Music at the University of Cambridge and, from 1735, Master of the King’s Music.

Tosca in San Francisco

Yet another Tosca is hardly exciting news, if news at all. The current five performances have come just two years after SFO alternated divas Angela Gheorghiu and Patricia Racette in the title role.

Antonin Dvořák: The Cunning Peasant (Šelma Sedlák)

What an enjoyable opportunity to encounter Dvořák’s sixth opera, Šelma Sedlák¸or The Cunning Peasant!

Idomeneo, Royal Opera

Whether biblical parable or mythological moralising, it’s all the same really: human hubris, humility, sacrifice and redemption.

Donizetti’s Les Martyrs — Opera Rara, London

Opera Rara brought a rare performance of Donizetti’s first opera for the Paris Opera to the Royal Festival Hall on 4 November 2014, following recording sessions for the opera.

Luca Pisaroni in San Diego

Bass baritone, Luca Pisaroni, known to opera lovers throughout the world for his excellence in Mozart roles, offered San Diego vocal aficionados a double treat on October 28th: his mellifluous voice, and a recital of German songs.

La bohème, ENO

Jonathan Miller’s production of La bohème for ENO, shared with Cincinnati Opera, sits uneasily, at least as revived by Natascha Metherell, between comedy and tragedy.

Florian Boesch, Wigmore Hall - Liszt, Strauss and Schubert

Any Florian Boesch and Malcolm Martineau performance is superb, but this Wigmore Hall recital surprised, too. Boesch's Schubert is wonderful, but this time, it was his Liszt and Strauss songs which stood out. This year at the Wigmore Hall, we've heard a lot of Liszt and a lot of Richard Strauss everywhere, establishing high standards, but this was special.

Wexford Festival 2014

The weather was auspicious for Wexford Festival Opera’s first-night firework display — mild, clear and calm. But, as the rainbow rockets exploded over the River Slaney, even bigger bangs were being made down at the quayside.

The Met’s ‘Le Nozze di Figaro’ a happy marriage of ensemble singing and acting

The cast of supporting roles was especially strong in the company’s new production of Mozart’s matchless masterpiece

Syracuse Opera’s ‘Die Fledermaus’ bubbles over with fun, laughter and irresistible music

The company uncorks its 40th Anniversary season with a visually and musically satisfying production of Johann Strauss Jr.’s farcical operetta


OPERA TODAY ARCHIVES »

Books

Paul Rodmell: Opera in the British Isles, 1875 – 1918
07 Feb 2014

Book Review: Opera in the British Isles, 1875 – 1918

Opera in the British Isles might seem a rather sparse subject in the period 1875 to 1918. Notoriously described as the land without music, even the revival of the native tradition of composers did not include a strong vein of opera. »

Recently in Books

All Pages |  1  |  2  |  3 
04 Dec 2013

Diary of a Redneck Opera Zinger

Heldentenor Jay Hunter Morris tells us about the lean times when the phone did not ring, as well as those thrilling moments when companies entrusted him with the most important roles in opera.  »

19 Aug 2013

Weill's Musical Theater: Stages of Reform

Commonly viewed as a ‘second-rate’ composer — a European radical persecuted by the Nazis whose trans-Atlantic emigration represented a sell-out to an inferior American popular culture —  »

16 Jul 2013

Opera from Cambridge University Press

Although part of a series entitled Cambridge Introductions to Music, Robert Cannon’s wide-ranging, imaginative and thought-provoking survey of opera is certainly not a ‘beginners’ guide’.  »

20 Jun 2013

James Melton: The Tenor of His Times

Those of us of a certain age have fond memories of James Melton, who entertained our parents starting in the 1930s and the rest of us in the 1940s and beyond on recordings, the radio, and films.  »

03 Feb 2013

Essays on Italo Montemezzi - D'Annunzio: Nave

An important new book on Italo Montemezzi sheds light on his opera Nave. The author/editor is David Chandler whose books on Alfredo Catalani have done so much to restore interest in the genre.  »

13 Apr 2012

Alfredo Catalani — A new perspective on later Italian opera

Assumptions about later Italian opera are dominated by Puccini, but Alfredo Catalani, born in the same town and almost at the same time, was highly regarded by their contemporaries. Two new books on Catalani could change our perceptions. »

22 Jul 2011

The Sopranos — Dissecting opera’s fervent fans

I was feeling cowed by Herr Engels. The four of us had retired from the Stravinsky performance to a Billy Wilder-themed bar in Berlin, the least horrible late-night option in the high end mediocrity of Potsdamer Platz.  »

22 May 2011

Opera Remade, 1700-1750

This substantial book is one of the latest in the Ashgate series of collected essays in opera studies and draws together articles from a disparate group of scholarly journals and collected volumes, some recent, some now difficult to locate.  »

09 Jan 2011

Operatic Advice and Counsel…A Welcome New Reference Book

Vincent Giroud’s valuable new French Opera, a Short History, is in hand and very welcome it is.  »

06 Aug 2010

Lotfi Mansouri: An Operatic Journey

The noted operatic impresario and stage director, Lotfi Mansouri, with the professional help of writer Donald Arthur, has issued his memoirs under the title Lotfi Mansouri: An Operatic Journey. »

21 Jul 2010

Cosima Wagner — The Lady of Bayreuth

Originally published in German as Herrin des Hügels, das Leben der Cosima Wagner (Siedler, 2007), this new book by Oliver Hilmes is an engaging portrait of one of the most important women in music during the late nineteenth and early twentieth centuries.  »

19 Jan 2010

Operatic Italian

Robert Stuart Thomson’s Italian language learning text, Operatic Italian, promises to become an invaluable textbook for aspiring operatic singers, voice teachers, coaches and conductors.  »

24 Nov 2009

Musical Exoticism: Images and Reflections

Ralph Locke’s recent book on Musical Exoticism is both an historical survey of aspects of the exotic in Western musical culture and a discussion of paradigms of the exotic and their relevance for musicological understanding.  »

15 Jul 2009

Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater

Readers may recognize the author of this book, David J. Buch, a specialist on the origins of the libretto to Mozart’s Magic Flute.  »

07 Sep 2008

Opera from the Greek

Perhaps it will be enough to tell you that I wasn’t halfway through this book before I searched the web for a copy of Professor Ewans’s study of Wagner and Aeschylus’s Oresteia, and ordered it forthwith: It has to be good. »

28 Jul 2008

Along the Roaring River

Chinese bass Hao Jiang Tian was 30, when he enrolled as an undergraduate at the University of Denver 1983. »

27 May 2008

Books 'n Things

Two excellent books on opera have come to hand, providing many hours of entertaining reading. I combine notice of them with a few thoughts about composer Paul Moravec’s CDs, and his forthcoming opera premiere at Santa Fe Opera in 2009.  »

13 May 2008

On Venetian Opera: a new edition of Monteverdi's Ritorno, and Eleanor Selfridge-Field on Time and Opera in Venice.

Claudio Monteverdi. Il Ritorno d’Ulisse in patria. Edited by Rinaldo Alessandrini. Urtext. Kassel: Bärenreiter, 2007. BA 8791. A vocal score is available as 8791a. »

16 Mar 2008

Handel's Riccardo primo, Re d’Inghilterra (HWV 23) and Tolomeo, Re d’Egitto (HWV 25) from Bärenreiter

Published in 2007, Riccardo primo, Re d’Inghilterra (HWV 23) and Tolomeo, Re d’Egitto (HWV 25) mark two of the latest installments of vocal-score editions of Handel’s operas based upon Bärenreiter’s Urtext editions. »

02 Mar 2008

Miles Davis, Miles Smiles and the Invention of Post-Bop

It is a measure of the classic status that the music of Miles Davis has acquired in American culture that a single LP produced for Columbia in the 1960s (Miles Smiles) is the focus of a short monograph from Indiana University Press. »

19 Feb 2008

SALIERI: Prima la musica e poi le parole

In 1786, Habsburg Emperor Joseph II commissioned a pair of short operas from two of the biggest names in Viennese musical theater: Salieri and Mozart. »

31 Oct 2007

Oper als Geschäft

This book is in German, which may make it of limited interest to people who are not sufficiently familiar with the language. »

22 Oct 2007

La Nilsson: My Life in Opera

Birgit Nilsson probably never heard of “the Protestant work ethic,” but she didn’t need to know it. »

04 Oct 2007

HAYNES: The End of Early Music — A Period Performer’s History of Music for the Twenty-First Century

Once upon a time, there was something known as early music. This was not so much a repertoire, a musico-historical epoch, as an attitude, a counter-cultural group. »

16 Aug 2007

Madame Butterfly: The Search Continues

Over the past decade, there have been a plethora of works trying to identify the historical models for characters in Puccini’s famous opera Madama Butterfly. »

29 May 2007

Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music

The interpretive reception of medieval music begins, as John Haines lays forth in the present investigation, already during the latter period of the Middle Ages. »

23 Jan 2007

Gustav Mahler. Letters to His Wife

True to the title of this collection, the present volume of correspondence edited by Henry-Louis de La Grange and Günther Weiss — here translated, revised , and supplemented by Antony Beaumont — offers, to date, the most complete body of letters of Gustav Mahler to his wife Alma. »

15 Nov 2006

The Grove Book of Operas (2nd ed.)

The New Grove Dictionary of Music and Musicians (the “New Grove”) stands as the definitive encyclopedia on music in the English language.1 »

08 Oct 2006

Settling the Score — An Interview with Philip Gossett

Introduction: Philip Gossett is one of those rarities in academia: a scholar of the first order and a consummate teacher. »

16 Sep 2006

150 Years of Opera in Chicago

This is a very attractive book, which, in addition to the expected text, has many striking photos, a list of the operas performed in Chicago, indicating all the seasons in which each work was given, and a season by season chronology, limited to professional companies. »

24 Jul 2006

PHILLIPS-MATZ: Washington National Opera 1956-2006

This is a highly impressive coffee-table table book, loaded with stunning photographs of productions, singers, composers, and even our nation’s glorious capital. »

17 Jun 2006

HURWITZ: Exploring Haydn—A Listener’s Guide to Music’s Boldest Innovator

The world of J.S. Haydn is one gravely underappreciated and undervalued. He never earned the right to a 1980’s bio pic like Mozart or was appreciated and saluted in pop culture through early rock n’ roll like Beethoven. »

02 May 2006

BROPHY: Mozart the dramatist

Brigid Brophy (1929-1995) was a noted novelist and critic who was passionately interested in opera, and especially Mozart and his operas. »

05 Mar 2006

GALLO: Opera — The Basics

Is it possible to say something new and fresh about opera? While many books have been written about the artform, it is rare to find an introductory text that serves its subject well. »

10 Feb 2006

LEE: The Great Instrumental Works

This book is for any aficionado or lover of classical instrumental music. »

02 Feb 2006

DAVIES & JAHN: Care of the Professional Voice

This second edition, co-authored by D. Garfield Davies, Consultant Emeritus Otolaryngologist to The Middlesex and University College Hospitals, and Anthony F. Jahn, Professor of Clinical Otolaryngology, Columbia University College of Physicians and Surgeons, was published by Routledge in 2004. »

23 Jan 2006

KINDERMAN & SYER: A Companion to Wagner's Parsifal

Some twenty years ago, a leading German musicologist remarked that the music of Parsifal »

17 Jan 2006

IT MUST NOT HAVE BEEN EASY BEING MOZART

It must not have been an easy life, being Wolfgang Amadeus Mozart (1756-1791). Perhaps even more so after the fact when scholars began to do their research and “wanna bes” began their intimations and psychoanalyzing. In the more seventy-five years of Mozart scholarship and its coming of age, one must ask: How much more is there to learn, to research? »

14 Jan 2006

GASPAROV: Five Operas and a Symphony

This new volume from Yale University Press is one of those rare and treasured phenomena in Russian music scholarship that illuminate their subject from a new angle — that of cultural history. Indeed, Boris Gasparov's expressed goal in Five Operas and a Symphony is nothing less than turning the table on poetry, philosophy, and literary criticism that have for so long ruled the field of Slavic research, and elucidating them from a musical point of view. »

28 Dec 2005

SPITZER & ZASLAW: The Birth of the Orchestra — History of an Institution, 1650-1815

At a time when the press has made the public aware of the difficult circumstances that exist for the symphony orchestra in the United States, it is refreshing to find a book that demonstrates unequivocally the nature of that institution and, as a consequence, its power in culture. »

20 Nov 2005

Verdi's Macbeth — The Critical Edition

Shakespeare’s Macbeth is a weighty play, and Verdi’s Macbeth seems to be a weighty opera: the three volumes of this edition (two of the full score, plus a smaller Critical Commentary containing the critical notes and a description of the sources) weigh 16.6 pounds. It is remarkable to think that this is the first full score of either the 1847 original or the 1865 revised Macbeth ever published. »

07 Nov 2005

Méthodes & Traités, series II: France 1800-1860 (Les grandes méthodes romantiques de chant), Vol. IV

As far back as the Middle Ages, students (often only identified as Anonymous) have recorded the methods of performance imparted by their masters. In later centuries, such illustrious teachers wrote and published their own methods. »

27 Oct 2005

ALBRIGHT: Berlioz's Semi-Operas

This book examines two of the more interesting musical pieces of the Romantic movement: Romeo et Juliette (1839) and La damnation de Faust (1846). Both were composed by Hector Berlioz (1803-69), and were very much constructed in a Gesamtkunstwerk mode where literature, music, and the other arts are fused together in a hybrid style that defies genre and categorization. »

23 Oct 2005

PUCCINI: Tutti Libretti d'Opera

This is a collection of the original libretti to Puccini's Le Villi, Edgar, Manon Lescaut, La Bohème, Tosca, Madama Butterfly, La Fanciulla del West, La Rondine, Il Trittico (Gianni Schicchi, Il Tabarro, Suor Angelica), and Turandot in nine booklets within a cardboard slipcase. »