By Russell Platt [The Nation, 3 October 2005]
Classical music in America, we are frequently told, is in its death throes: its orchestras bled dry by expensive guest soloists and greedy musicians unions, its media presence shrinking, its prestige diminished, its educational role ignored, its big record labels dying out or merging into faceless corporate entities. We seem to have too many well-trained musicians in need of work, too many good composers going without commissions, too many concerts to offer an already satiated public.
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