Mark-Anthony Turnage, Greek

After the bitter disappointment of

Armide, Amsterdam

There is a cornucopia of ideas on display in Gluck’s Armide at Amsterdam’s Het Muziektheater, but sadly only a few of them seemed to serve the piece.

London’s Vespers Ring the Right Bells

Even before it opened, Royal Opera’s Les vÍpres siciliennes was the must-see production of the season.

Verdi’s Otello at Lyric Opera of Chicago

Lyric Opera of Chicago has opened the season with a revival of its 2001 production of Giuseppe Verdi’s Otello.

Angel Blue, Wigmore Hall

Having impressed UK audiences in La Boheme (for ENO) and American Lulu (for the Opera Group/Scottish Opera),

Madame Butterfly at ENO

First seen in 2005, and since feted in London (several times), New York and Lithuania, Anthony Minghella’s cinematic production of Madame Butterfly remains a breath-taking visual banquet.

Das Liebesverbot, Vienna 1962

Das Liebesverbot: Grosse komische Oper in two acts.

Fun Loving H.M.S. Pinafore Opens Arizona Opera

The star of the show was the agile Robert Orth as Sir Joseph Porter, the First Lord of the Admiralty. A fine operatic baritone, Orth’s patter was machine gun fast, crisp, and completely understandable.

Intriguing Duo in San Francisco

Venerable San Francisco Opera kicked off its fall season with a wholly pleasing revival of a landmark production, complemented by an engrossing world premiere.

The Tragedy of Carmen, Syracuse Opera

Carmen Lite: Singing shines in Syracuse Opera’s pocket-sized The Tragedy of Carmen