The Wagner Society has announced that Longborough Festival Opera co-founders Martin and Lizzie Graham will receive its prestigious Reginald Goodall Award, which recognises individuals who have been of outstanding service to Wagner and his music.
Year: 2019
Six Charlotte Mew Settings: in conversation with composer Kate Whitley
Though she won praise from the literary greats of her day, including Thomas Hardy, Virginia Woolf, Ezra Pound and Siegfried Sassoon, the Victorian poet Charlotte Mew (1869-1928) was little-known among the contemporary reading public. When she visited the Poetry Bookshop of Harold Monro, the publisher of her first and only collection, The Farmer’s Bride (1916), she was asked, “Are you Charlotte Mew?” Her reply was characteristically diffident and self-deprecatory: “I’m sorry to say I am.”
Expressive Monteverdi from Les Talens Lyriques at Wigmore Hall
This was an engaging concert of madrigals and dramatic pieces from (largely) Claudio Monteverdi’s Venetian years, a time during which his quest to find the ‘natural way of imitation’ – musical embodiment of textual form, meaning and affect – took the form not primarily of solo declamation but of varied vocal ensembles of two or more voices with rich instrumental accompaniments.
“It Lives!”: Mark Grey ‘re-animates’ Mary Shelley’s Frankenstein
“It lives!” So cries Victor Frankenstein in Richard Brinsley Peake’s Presumption: or the Fate of Frankenstein on beholding the animation of his creature for the ?rst time. Peake might equally have been describing the novel upon which he had based his 1823 play which, staged at the English Opera House, had such a successful first run that it gave rise to fourteen further adaptations of Mary Shelley’s 1818 novella in the following three years.
Bampton Classical Opera Young Singers’ Competition 2019
Applications will open on March 1, 2019 for Bampton Classical Opera’s fourth biennial Young Singers’ Competition. The competition was launched in 2013 to celebrate the company’s 20th birthday. It is now well established and identifies, rewards and nurtures some of the country’s most talented young professional singers aged 21-32 and their accompanists.
Petrenko Directs Beethoven’s Missa Solemnis
The quick rise to prominence and thin catalog of recordings by Russian conductor Kirill Petrenko, outgoing General Music Director of the Bayerische Staatsoper and incoming chief conductor of the Berlin Philharmonic, renders each of his forays into the classic repertoire significant. Last Sunday morning, the Bayerisches Staatsorchester gave the first of three performances of Beethoven’s Missa Solemnis under his direction.
Stéphanie D’Oustrac: Sirènes
After D’Oustrac’s striking success as Cassandre in Berlioz Les Troyens, this will reach audiences less familiar with her core repertoire in the baroque and grand opéra. Berlioz’s Les nuits d’été and La mort d’Ophélie, Wagner’s Wesendonck Lieder and the Lieder of Franz Liszt are very well known, but the finesse of D’Oustrac’s timbre lends a lucid gloss which makes them feel fresh and pure.
Faust in Marseille
We sat, bewildered, all of us, watching (enduring) Gounod’s sweet little tear jerker as a nasty drug trip. Except for the Australian Marguerite it was an all French cast and they all gamely played along, the sophisticated verse of Offenbach’s librettists Jules Barbier and Michel CarrÈ clearly sailing out over an abrasive pit.
Down in flames: Les Troyens, OpÈra de Paris
Hector Berlioz’s Les Troyens with Philippe Jordan conducting the OpÈra National de Paris. Since Les Troyens headlined the inauguration of OpÈra Bastille 30 years ago, we might have expected something special of this new production. It should have been a triumph, with such a good conductor and some of the best singers in the business. But it wasn’t.
Handel Singing Competition semi-finalists announced
The Handel Singing Competition has announced its 13 semi-finalists who will be competing in the 2019 Competition. The semi-final is due to take place on 5 March at Grosvenor Chapel, and the final is on 6 April at St George’s, Hanover Square – both in front of a live audience. The Competition this year received over 170 applications from all around the world, from 25 countries as far afield as Argentina, Australia, Israel, the United States and Canada.