The English Concert Autumn 2020 series: Handel and Purcell, Britain’s Orpheus

A newly discovered work by Purcell for two tenors, bass
and continuo, will be given its first modern-day performance by Anthony Gregory and Hugo
Hymas. This programme will be presented in association with Purcell scholar
Rebecca Herissone and the University of Manchester.

Other soloists include Sophie Bevan, Iestyn Davies, Lucy Crowe, Carolyn
Sampson, Mark Padmore, Soraya Mafi, James Way, and Dame Sarah Connolly, and
principal guest director Kristian Bezuidenhout and founder Trevor Pinnock.

“The musicians of The English Concert are delighted to resume live
music-making after such a long time, and it’s a particular pleasure to do
so with such an exceptional line-up of soloists – both long-term
collaborators and wonderful new talent. We are looking forward to
performing a rich selection of Baroque music, including masterpieces by
both Handel and Purcell, and it’s deeply exciting to present a Purcell
premiere.” Harry Bicket, artistic director of The English Concert

The series opens with a partial recreation of Handel’s first concert for
the Foundling Hospital. Following a series of benefit performances from
1749 onward, Handel became connected with the Foundling Hospital in
Bloomsbury, a home for sick, orphaned and abandoned children. Including
excerpts from the oratorio Solomon (1748), this programme features
music drawn from Handel’s first concert for the Foundling Hospital. This
concert will be free to watch, and the audience will be encouraged to

Soprano Lucy Crowe performs a selection of Handel’s Italian works including
the cantata Armida abbandonata in an intimate recital at Somerset
House. The programme will also feature music by Johann Ernst Galliard,
Chapel master at Somerset House and Handel’s principal oboist.

Iestyn Davies performs a concert of Purcell’s solo songs in the Great Hall
at Eltham Palace including the extensive masterpiece ‘O Solitude’, set to
three verses of a poem by Katherine Philips. Trevor Pinnock directs a
performance of works by Purcell and Handel written for the domestic market.

The final programme examines Handel’s interest in Milton. Handel seems to
have first become captivated by Milton’s poetry following an evening in
November 1739 spent with Lord Shaftesbury, when the host’s brother-in-law
read aloud the entirety of John Milton’s epic tragic drama Samson
Agonistes. The interest this experience sparked in Handel for Milton’s
poetry resulted in some of his most ambitious vocal music — first inL’Allegro, il Penseroso ed il Moderato (1740) and ultimately in Samson (1743), set to a libretto adapted by Newburgh Hamilton.
With Carolyn Sampson and Mark Padmore, two of the most accomplished Handel
singers active today, in this final programme from St Giles Cripplegate
Church (which also hosts a statue of Milton) we trace how Milton’s poetry
inspired Handel to use music as a means of advancing and extending poetic
meaning. for details and tickets

The English Concert:

+44 (0)20 3962 2322

Handel the Philanthropist | Great Hall at Bart’s Hospital | 1 October

Partial recreation of Handel’s first concert for the Foundling Hospital.
This concert will be free to view. Viewers will be encouraged to donate. In
association with Bart’s Heritage.

Soloists: Sophie Bevan, Soraya Mafi, James Way, Dame Sarah Connolly,
Director: Harry Bicket Programme: GF Handel Selections from Solomon (1748)

Purcell – O Solitude | Great Hall at Eltham Palace | 4 October 2020

In association with English Heritage

Soloist: Iestyn Davies, Director: Harry Bicket

Henry Purcell: Golden Sonata, Chacony in G minor, ‘O solitude’,
Violin Sonata in G minor, Sonata in 4 parts in E flat, ‘Evening Hymn’

Purcell – Odes for a Queen | St John’s Smith Square | 6 October 2020

Including a newly discovered devotional song by Purcell for two tenors,
bass and continuo.

Also, the uncorrupted version of ‘Come Ye Sons of Art’.

In association with the University of Manchester

Soloists: Hugo Hymas, Anthony Gregory, Director: Kristian Bezuidenhout

Programme: Henry Purcell, Ode – ‘Love’s Goddess sure was Blind’, ‘Oh that
my grief’ (newly discovered piece) ‘Since God so tender a regard’, Ode –
‘Come Ye Sons of Art’

Handel the Italian | Somerset House | 9 October 2020

In association with Somerset House Intimate recital featuring Italian

Soloist: Lucy Crowe, Director: Harry Bicket

Handel: Overture to Rodrigo, Alpestre Monte, Trio Sonata in D, Lascia la spina, Armida abbandonata J.E. Galliard:
Bassoon Sonata No.2 in G

Purcell & Handel – Music, Home & Heritage | Weston Park
(Shropshire) | 13 October 2020

By the end of the 17th century, numerous pieces of music were published for
the domestic market. Director: Trevor Pinnock

Purcell, Suite of theatre music (Gordian knot untied, Old bachelor, Married
beau…), Sonata in 4 parts in C; Croft, Ground for harpsichord in C minor
(formerly attr. Purcell); Purcell, Sonata in 4 parts in C minor; Handel,
Sonata in G minor or B flat from Op.2/14; Handel, Sonata in G opus 5/4 ( Athalia, Il parnasso in Festa etc.)

Handel & Milton | St Giles-without-Cripplegate | 15 October 2020

Taking place from St Giles Cripplegate which hosts a statue of Milton.
Music from L’Allegro, il Penseroso ed il Moderato and Samson.

Soloists: Carolyn Sampson and Mark Padmore, Director: Harry Bicket

Handel: Concerto Grosso Op.6 No.5 in D Major (with winds), selection from Samson, selection from L’Allegro; Thomas Arne, 3 dances
from the Masque of Comus