400 freelance professional musicians from all parts of the industry will be joined in support by leading musical figures including David Hill, Raphael Wallfisch, Emma Johnson and Tasmin Little, to perform in Parliament Square and Centenary Square, Birmingham, shining a light on the need for targeted support for freelance musicians and all those who work in the arts and entertainment sector. They are also joined in solidarity by the Musicians’ Union, The Musicians’ Answering Service, Emily Eavis and more.
Tuesday 6 October, 12:00
Parliament Square, London
Centenary Square, Birmingham
Conducted by renowned director David Hill in Parliament Square, the freelance musicians will perform a short section of ‘Mars’ from Holst’s The Planets before standing in silence for two minutes. The 20% of the piece that they will perform represents the maximum 20% support that freelancers receive from the government through the SEISS grant. The two-minute silence represents the 45% of musicians currently not covered by the SEISS grant (MU). The event will be Covid-safe, adhering strictly to social distancing regulations, facilitated by support from #WeMakeEvents.
Covid restrictions have disproportionately impacted the music and events industries, resulting in an almost total loss of opportunity to work. Investment is essential so that freelance musicians can continue to support the intricate network of businesses that rely on arts and events for their footfall.
The arts and culture industry contributes £10.8 billion a year directly to the UK economy (ONS), with growth in creative industries previously running at five times that of the rest of the economy. With effective short-term support, freelance musicians will continue to make a positive impact.
For every £1 directly spent on music and events, an extra £2 is generated in the wider economy (ACE), powering a network of businesses across the country. Supporting freelance musicians means supporting the wider economy.
The music sector is a world-leading asset to the UK and its highly-skilled professionals are regarded as the world’s finest, in particular in recording award-winning film scores. The UK’s breadth and diversity of concerts, events, festivals and gigs is globally renowned, bringing life to towns and cities and attracting over 40% of inbound tourist spend (ACE), providing inspiration and joy to everyone through work in the community, from schools to care homes.
The largely freelance workforce that makes up the music industry has not received the targeted support it needs to go forwards. According to Musicians’ Union research, 70% of musicians are unable to undertake more than a quarter of their usual work. Two-thirds of musicians face severe financial hardship.
Much of the £1.57 billion government fund for culture has not reached freelancers, as this money is largely earmarked for venues and organisations, many of which remain closed or at severely reduced capacity. Self-employed freelancers also account for more than 80% of all orchestral players.
Offering support at 20% of average monthly trading profits, capped at a maximum of £1,875 over the months of November, December and January, the Self-Employment Income Support Scheme grant extension announced by the Government will put much of the skilled freelance workforce out of business. 45% of musicians are currently not covered by the SEISS grant (MU).
With other European nations investing more in their creative industries through this difficult time, the U.K. risks being left behind and losing its status as a leader in the field.
Let Music Live calls on the Government:
- to recognise that freelance musicians are an economic asset. It is essential they invest in freelancers so that they can continue to support the intricate network of businesses that rely on arts and events for their footfall.
- for sector-specific support to reopen, including a subsidised concert ticket scheme while social distancing restrictions remain, and Government-backed insurance for live events and theatre performances.
- for targeted support for those skilled workforces forced to remain closed by Covid restrictions, so that freelance musicians are still there to bring music to everyone when this is over.
Galvanised by the energy and the goodwill among the musical community to want to keep music alive and perform again, violinist Jessie Murphy conceived the idea of getting together in Parliament Square, to show that “we are here and ready to work”. Like so many in her sectors, all of Murphy’s work this year, including tours with Jeff Lynne’s Electric Light Orchestra (ELO) and Sophie Ellis Bextor, had to be cancelled due to Covid. A post on Facebook asking “Anyone else in?” became a group of over 2000 within days.
On behalf of freelance musicians, violinist Jessie Murphy said:
“We want to show that our profession is viable, and valuable. Freelancing can be misunderstood, we play in the O2 one day, a small wedding the next, and a film recording session the day after. Each one of us is a small business that contributes both to the economy and the wellbeing of the country.
Horace Trubridge, Musicians’ Union General Secretary, said:
Due to strict limits on numbers in Parliament Square, musicians who would like to join the event should contact firstname.lastname@example.org