New Mascarade Opera Studio announces first participants

Mascarade Opera Studio has announced its first ten Studio Artists following applications from ambitious opera talent from all over the world. From September 2020, the new opera studio launching in Florence will offer its nine-month training programme for eight exceptional young singers and two rÈpÈtiteurs.

Dvo?·k Requiem, Jakub Hr?öa in memoriam Ji?Ì B?lohl·vek

AntonÌn Dvo?·k Requiem op.89 (1890) with Jakub Hr?öa conducting the Prague Philharmonic Orchestra. The Requiem was one of the last concerts Ji?Ì B?lohl·vek conducted before his death and he had been planning to record it as part of his outstanding series for Decca.

Accentus stream full-length operas on Opernhaus Z¸rich website

Accentus is delighted to announce that a selection of outstanding full-length operas that the production company and label has produced will be streamed on the Opernhaus Z¸rich website.

Philip Venables’ Denis & Katya: teenage suicide and audience complicity

As an opera composer, Philip Venables writes works quite unlike those of many of his contemporaries. They may not even be operas at all, at least in the conventional sense – and Denis & Katya, the most recent of his two operas, moves even further away from this standard. But what Denis & Katya and his earlier work, 4.48 Psychosis, have in common is that they are both small, compact forces which spiral into extraordinarily powerful and explosive events.

Royal Academy of Music appoints Brenda Hurley as Head of Opera

The Royal Academy of Music today announced Brenda Hurley as its new Head of Opera, effective July 2020.

The Royal Opera House launches a programme of free online content for the culturally curious at home

The Royal Opera House today announced a free programme of curated online broadcasts, musical masterclasses and cultural insights that get under the skin of both ballet and opera and offer everyone a unique look behind the scenes at one of the world’s most famous cultural institutions.

A new, blank-canvas Figaro at English National Opera

Making his main stage debut at ENO with this new production of The Marriage of Figaro, theatre director Joe Hill-Gibbins professes to have found it difficult to ‘develop a conceptual framework for the production to inhabit’.

Massenet’s ChÈrubin charms at Royal Academy Opera

“Non so pi˘ cosa son, cosa faccio … Now I’m fire, now I’m ice, any woman makes me change colour, any woman makes me quiver.”

Charles Wuorinen: June 9, 1938 – March 11, 2020

Press release from Aleba & Co.:

The Operas of Sergei Prokofiev

https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html