A roster of exciting young artists supported by the Concertgebouw Orchestra
in the pit, ensured that Amsterdam’s Carmen worked its
usual spell.
Author: john_y
Amsterdam: Old Wine in New Bull Rings
Saint Louis: Reliably Excellent
It is quite possible that Opera Theatre of Saint Louis is the leading summer opera destination in the United States.
No Redemption for Munich’s Dutchman
Although there was considerable theatrical imagination on display, redemption was in critically short supply in Peter Konwitschny’s production of The Flying Dutchman at Munich’s estimable Bavarian State Opera.
Paris: Mostly Verdi Good Indeed
The Scottish Play’s ability to conduit bad luck is apparently not limited to the spoken stage, witness the new Paris OpÈra production of Verdi’s Macbeth.
Angels in Frankfurt
Was Tony Kushner’s monumental play Angels in America in need of being musicalized?
Venice’s Variable “War Requiem”
I had been looking forward to it for weeks — really, for years.
Korngold Thrills in Venice
It is not often that the team of stage director, set and costume designer get the biggest, most boisterously rowdy roar of approval at opera’s end.
Frankfurt: Thinking Inside the Box
My heart didn’t exactly leap in joyful anticipation as I entered the Frankfurt Opera and saw the Arabella pre-set on stage: a big, shallow, white box.
Poaching in Cologne
One definition of “poach” is “to take or appropriate something unfairly.”
Brussels’ Definitive Death
ThÈ‚tre Royal de la Monnaie / De Munt started 2009 by serving up a real New Year’s treat for the Belgian capital’s opera enthusiasts: a near-perfect staging of Benjamin Britten’s Death in Venice.