The general level of musical performance nowadays has risen around the world. Well-tuned orchestras pop up everywhere, and highly capable fiddlers, keyboard-ticklers, and singers (I’m tempted to write, in the…
Author: Ralph Locke
Four Song Cycles by Saint-Saëns, Superbly Rendered by the Mellifluous Baritone Tassis Christoyannis
I raved about Greek-born baritone Tassis Christoyannis’s CD of songs by Félicien David and a follow-up 2-CD set of songs by Édouard Lalo . In American Record Guide, the late…
Paisiello’s 1785 Opera about “Trofonio’s Cave” Adds Welcome and Hilarious Complications to a Libretto Previously Set by Salieri
The opera world in Mozart’s day recycled successful plots and characters much as the worlds of film and Broadway theater do today. In October 1785, in Vienna, Antonio Salieri had…
Cimarosa’s The Impresario in Distress Gets Its First Modern Recording
The Italian phrase in angustie means something like “in distress,” “in a tight bind,” or “under pressure from all sides.” Angustie derives from the Latin “angustus”—narrow—and is related to the…
Auber’s Siren Enchants Anew, in a Long-Needed First Recording
Auber’s comic operas – once a mainstay of theaters throughout Europe, the Americas, and perhaps beyond – are slowly making their way back into the lives of music lovers through…
Joachim Raff: Benedetto Marcello
Here’s yet another very effective German opera post-Weber but not by Wagner! We hear and see so few of these! I was quite taken in the past two years with…
World-Premiere Recording: Montemezzi’s One-Act L’incantesimo (1943) Weaves a Spell
Here, from a performance (apparently unstaged) in the hall of the Milan Conservatory (on October 26, 2018), is a one-act opera by Italo Montemezzi (1875-1952), followed by an early Debussy…