Anna Prohaska sings Sister Constance in Poulenc’s Dialogues des
CarmÈlites at the Royal Opera House. In the same month, she’s also in
London to sing a recital with Eric Schneider at the Wigmore Hall, and to sing
Henze with Sir Simon Rattle at the Barbican Hall.
Category: Interviews
Anna Prohaska, one of Europe’s most promising sopranos
Garsington Opera’s 25th anniversary unites its past with its future
Garsington Opera celebrates its 25th anniversary this year.
Jean-Paul Scarpitta in Montpellier
I met with the embattled artistic director of the OpÈra et Orchestre National de Montepellier not to talk about his battles. I simply wanted to know the man who had cast and staged a truly extraordinary Mozart/DaPonte trilogy.
Interview: Tenor Saimir Pirgu — From Albania to Italy to LA
Maria Nockin interviews tenor Saimir Pirgu.
Matthew Polenzani — Des Grieux, Manon, Royal Opera House
Matthew Polenzani reprises the role of the Chevalier des Grieux in Jules Massenet’s Manon at the Royal Opera House. “I love coming back to London”, he says, “It’s a very good house and they take care of you as a singer. And the level of music making is unbelievably high”.
Maestro Joseph Rescigno Discusses The Flying Dutchman
The Flying Dutchman is a transitional piece because Wagner was only beginning to establish his style. He took some aspects from Carl Maria von Weber and others from Italian composers like Vincenzo Bellini.
Patricia Racette on Dolores Claiborne
On a personal level, I feel that Dolores is almost like Emmeline grown up. Their circumstances are not exactly parallel, but they are both women at very different points in their lives whose stories involve dilemmas with life-changing outcomes.
Tobias Picker Talks About His New Opera Dolores Claiborne
With the help of Andrew Welch, a London theatrical producer who had adapted several of King’s works for the stage, including this one, I got the rights to both Dolores Claiborne and Misery.
Dolora Zajick on New Opera Written for Her
On September 18, 2013, San Francisco Opera will present the world premiere of Tobias Picker’s opera, Dolores Claiborne, which has a libretto by J. D. McClatchy based on Stephen King’s novel of the same name.
Dolora Zajick about her Institute for Young Dramatic Voices
“Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development.”