Medea: Melodramma tragico in three acts.
Category: Redbox
Wexford Festival Opera 2019
The 68th Wexford Festival Opera, which runs until Sunday 3rd November, is bringing past, present and future together in ways which suggest that the Festival is in good health, and will both blossom creatively and stay true to its roots in the years ahead.
Liszt: O lieb! – Lieder and MÈlodie
O Lieb! presents the lieder of Franz Liszt with a distinctive spark from Cyrille Dubois and Tristan RaÎs, from ApartÈ. Though young, Dubois is very highly regarded. His voice has a luminous natural elegance, ideal for the MÈlodie and French operatic repertoire he does so well. With these settings by Franz Liszt, Dubois brings out the refinement and sophistication of Liszt’s approach to song.
RomÈo et Juliette in San Francisco (bis)
The final performance of San Francisco Opera’s deeply flawed production of the Gounod masterpiece became, in fact, a triumph — for the Romeo of Pene Pati, the Juliet of Amina Edris, and for Charles Gounod in the hands of conductor Yves Abel.
Vaughan Williams: The Song of Love
From Albion, The Song of Love featuring songs by Ralph Vaughan Williams, with Kitty Whately, Roderick Williams and pianist William Vann. Albion is unique, treasured by Vaughan Williams devotees for rarely heard repertoire from the composer’s vast output, so don’t expect mass market commercial product. Albion recordings often highlight new perspectives.
Erich Wolfgang Korngold: Die Tote Stadt
Die Tote Stadt, an opera in three acts.
Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach.
MÈdÈe in Salzburg
Though Luigi Cherubini long outlived the carnage of the French Revolution his 1797 opÈra comique [with spoken dialogue] MÈdÈe fell well within the “horror opera” genre that responded to the spirit of its time. These days however MÈdÈe is but an esoteric and extremely challenging late addition to the international repertory.
Merola’s Striking If I Were You
Jake Heggie and Gene Scheer have become an indispensable presence in the contemporary opera world, and their latest premiere, If I Were You, found the duo at the very top of their game.