You’d have to be a strange kind of human being not to smell death in Shostakovich’s Thirteenth Symphony. Icy, spooky and deeply unsettling orchestral sounds at the outset give way…
Category: Reviews
BCMG at Wigmore Hall
London visits from the Birmingham Contemporary Music Group are rarer than we might hope, though doubtless many would object, quite reasonably, that visits to the capital need not be its…
Fine singing in English National Opera’s new production of The Elixir of Love
OK, so here’s the deal. I can sell you a love potion which will make the object of your desire fall head over heels in love with you. Guaranteed. You…
Carmen in San Francisco
Francesca Zambello’s 2006 Covent Garden Carmen rehashed once again by San Francisco Opera. This time with French mezzo-soprano Eve-Maud Hubeaux in the title role. In 2017 alone Mme. Hubeaux transformed…
Why aligning yourself with Satanic forces is never a good idea: Staatsoper Hamburg’s new production of Der Freischütz
It’s not an uncommon experience for people to wake up in the middle of the night, believing they have heard unsettling noises, or feeling those early palpitations of concern about…
Everest by San Francisco’s Opera Parallèle
San Francisco’s alternative opera company has just now revived its 2021 production of Everest, a 2015 Dallas Opera commission about climbers on Mount Everest, here reimagined as a graphic novel…
ENO’s Rigoletto still makes dramatic sense
Jonathan Miller’s Mafioso-style Rigoletto, first unveiled in 1982, would seem to be imperishable and has returned yet again to the Coliseum. If the set has not already been infested with…
The Busoni Centenary: Kirill Gerstein and the BBC Chorus in Busoni’s genre-defying Piano Concerto at the Barbican
The centenary of Ferruccio Busoni’s death fell earlier this year, not that ninety-nine per cent of the musical world appears to have noticed. Where are the operas, even his masterpiece…
Fun and games in Vienna: the Guildhall’s Die Fledermaus
Beware the dangers of playing pranks on friends who might nurse their grudges until the right moment presents itself to seek redress. Revenge is after all a dish best served…
Huang Ruo’s M. Butterfly gets its UK premiere
If any Puccini opera can evolve with the times it would probably be his Madama Butterfly. Indeed, it has been widely adapted to film – firstly by Fritz Lang in…