I Fagiolini’s third contribution to VOCES8’s Live from London series took its inspiration and its structure from T.S. Eliot’s The Waste Land, a poem described in the introductory programme note…
Category: Reviews
First class performances from the Choir of St John’s College, Cambridge
This new disc is the second volume of Evening Canticles from the Choir of St John’s College, Cambridge under Andrew Nethsingha. It presents nine settings of the Magnificat and Nunc…
The House of Life: David Butt Philip and James Baillieu at Leighton House
The Rossetti family, according to William Michael, in Some Reminiscences (1906), ‘were not a musical family; they had no gift in that direction … no craving to be constantly hearing…
A First-Rate Serious Opera by Rossini with Pre-Echoes of The Barber of Seville
Another good-to-superb recording of a little-known Rossini opera, thanks to the Rossini in Wildbad festival. The recording blends three concert performances from July 2017 and features Silvia Dalla Benetta as…
An absorbing, imaginative ‘enactment’ of the St John Passion from Oxford Bach Soloists
Last April, writing in the Observer, Fiona Maddocks lamented her first Easter without the mysteries and joys of Bach. ‘This year all performances have been cancelled. Our lives have already…
Atmospheric performances from the choir of Trinity College Cambridge enhance the music of Cecilia McDowall
Coinciding with Cecilia McDowall’s 70th year, this recent Hyperion disc crowns an already impressive series of recordings from Dutton Epoch that, with her keen sensitivity to text and grateful melodic…
A Third Catarina Cornaro Opera: Not Halévy or Donizetti but Franz Lachner, and It’s Good!
Opera lovers may think they have never heard any music by Franz (or Franz Paul) Lachner. But, if they’ve enjoyed Cherubini’s Medea, they almost surely have heard – and been…
Bach’s B Minor Mass: VOCES8 and the AAM on Easter Sunday
In 1818, the Swiss musician, writer and publisher Hans Georg Nägeli (1773–1836) issued a public advertisement announcing an ambitious publishing project, which would make a new Mass, that he had…
VOCES8 and the English Chamber Orchestra join forces on Good Friday to perform Bach and Fauré
For their Good Friday Live from London performance, VOCES8 joined forces with members of the English Chamber Orchestra at Cadogan Hall. Barnaby Smith had moved from his countertenor’s perch to…
A new recording of Buxtehude and Schütz from Ensemble Correspondances
More often associated with the French Baroque, Ensemble Correspondances shifts its gaze to 17th-century German music to focus on contrasting Passion settings by Dietrich Buxtehude and Heinrich Schütz. Through its…