In the wrong performance Mahler’s Third Symphony can be a burden on the listener and I have very often found this the most difficult of his symphonies to bring off…
Category: Recitals/Concerts
Handel’s Scipione: the Early Opera Company close the London Handel Festival with a celebration of clemency
This year’s London Handel Festival was brought to a gracious close with a celebration of clemency, magnanimity and honour. Scipione, the ninth of the operas that Handel composed for the…
Myths and monsters from the BBCSO and Brabbins at the Barbican Hall
Beowulf is an archetypal heroic text of the medieval age: warriors and kings, the sea and craggy cliffs, monsters and myths: the bright gleam of the hero’s ceremonial armour juxtaposed…
Tchaikovsky’s first surviving opera, Oprichnik, gets a vibrant performance from Chelsea Opera Group
Tchaikovsky was fascinated by opera; he started writing around 20 of which nine survive as complete works. We know so very few of them well. His first opera to survive…
Szymanowski’s Symphony No.3, The Song of the Night, in a mixed evening at the Barbican
This was an odd concert – supposedly with a Polish link, in that its bookends were two symphonies from that country, and two symphonies at that which were born out…
Not pity but tragedy: Iestyn Davies and Joseph Middleton perform Die schöne Müllerin at Wigmore Hall
In The Cambridge Companion to Schubert’s ‘Winterreise’, James William Sobaskie suggests that while ‘Winterreise elicits empathy for its outcast, inducing us to share his emotions and experience similar distress’, Schubert’s earlier…
Gran Cadenza: Irvine Arditti’s 70th Birthday and Jake Arditti sings Hilda Paredes’ Canciones Lunáticas
Although over its many years the faces of the Arditti Quartet have changed, its one constant has been Irvine Arditti himself. Now 70-years old, this birthday lunchtime recital, called Gran…
Tannhäuser at the Boston Symphony Orchestra
The Boston Symphony Orchestra (BSO) has a long tradition of superb concert and semi-staged opera, most recently under conductors like Seiji Ozawa, Colin Davis and Bernhard Haitink, as well as…
Amazone: Lea Desandre and Jupiter at Wigmore Hall
The percussive thump and burr which sparked into life Francesco Provenzale’s ‘Non posso far’ (from his opera Lo Schiavo di sua moglie) at the start of this lunchtime recital by…
Brünnhilde’s Dream: an inventive, expressive and impressive sequence by Rozanna Madylus and Counterpoise at Wigmore Hall
The programme originally planned for this Wigmore Hall recital by the ensemble, Counterpoise, might have been titled ‘Fathers and Daughters’. A new monodrama integrating speech, sprechstimme and singing, The…