Ruby Hughes and friends at the Hatfield House Chamber Music Festival

The theme of this year’s Hatfield House Chamber Music Festival is ‘A Family Affair’.  As Lord Salisbury and Artistic Director Guy Johnston explain in their introductions in the Festival programme,…

Glowing Wagner and Mahler’s Fourth from Vladimir Jurowski and the Bayerisches Staatsorchester

I first heard the Bayerisches Staatsorchester in the early 1980s – and one’s earliest memories, of ones first orchestras, often remain long over time. Wolfgang Sawallisch – never a favourite…

From Darkness to Light: Barbara Hannigan opens the LSO’s new season at the Barbican

The London Symphony Orchestra was the first of the major orchestras to open their autumn season in September. Unlike their brethren across the Thames (to the south), they chose not…

‘Celebrating Women Baroque Composers’: Roberta Invernizzi at Wigmore Hall

Early developments in print technology reveal much about women’s involvement in musical life and composition in the Renaissance and early Baroque.  The earliest extant published music by a woman is…

Simon Rattle’s Prom of Poulenc and Mahler proved both unforgettable and deeply personal

Farewell. This was an essential part of Sir Simon Rattle’s second Prom at the Royal Albert Hall. It was a final farewell to his tenure at the London Symphony Orchestra…

Late-night Bach at the Proms: Iestyn Davies and the English Concert

In an article in the Daily Telegraph, published just prior to this late-night Prom with The English Concert led by director Kristian Bezuidenhout from the harpsichord, countertenor Iestyn Davies tells…

Sir Simon Rattle and the LSO introduce Schumann’s Das Paradies und die Peri to the Proms

“It’s the great masterpiece you’ve never heard.”  So declared Sir Simon Rattle when he introduced Schumann’s Das Paradies und die Peri to the London Symphony Orchestra in 2015, in a…

VOCES8 and VOCES8 Scholars: The Milton Abbey Concert

The activities of the VOCES8 Foundation are as diverse as its values are singular: to promote music education for all.  Alongside performances and recordings by VOCES8 and Apollo5, the Foundation’s…

Ligeti’s Mysteries of the Macabre gets its Proms premiere with Iván Fischer and the Budapest Festival Orchestra

The Budapest Festival Orchestra are a crack ensemble. And under Iván Fischer they can do everything that is possible – and nearly anything impossible, too.  They brought with them to…

To Sing of Love: VOCES8 – LIVE from London Summer 2023

VOCES8’s LIVE From London Summer 2023 festival feels a bit mis-named – but that’s only because the nine concerts which form this summer’s online festival, which runs from 12th August…