Halévy’s La tempesta opens the 71st Wexford Festival Opera

“Be not afeard,” Caliban reassures the comic conspirators, Stephano and Trinculo, “This isle is full of noises,/ Sounds and sweet airs that give delight and hurt not.”  Indeed, the whole…

Dialogues des Carmelites in San Francisco

Poulenc’s masterpiece (1957), Camus’ La Chute (The Fall) Nobel Prize for Literature (1957), Bernstein’s West Side Story (1957), Gian Carlo Menotti’s The Saint of Bleecker Street (1954). San Francisco Opera…

Mid Wales Opera triumphs with Puss in Boots

Mid Wales Opera has virtually created an instruction manual for the performance of community-based opera in rural areas, shrink-wrapping works into spaces that rarely enjoy professional presentation.  Its month-long SmallStages…

Idomeneo at the Met

Thursday night performances of lesser-known works often spark memorable Met moments. So it was last week, at the revival of Mozart’s Idomeneo. The house was far from full and a…

A dark, sombre Tamerlano from English Touring Opera

The Mongol conqueror, Tamerlane (1336-1405), doesn’t have a good reputation.  Also known as Timur, this son of a nomadic shepherd was a masterful military leader and tactician but is most…

Otello at Philadelphia

Gioachino Rossini finished Otello in 1816, the same year as his comic masterpieces, Il barbiere di Siviglia and La Cenerentola. The latter two are acknowledged masterpieces. Yet it is Otello…

Robert Carsen’s new production of Aida at the Royal Opera House

Finding myself with an hour to kill before a performance of Robert Carsen’s new production of Aida at the Royal Opera House earlier this week, I settled down in a…

Handel’s Ottone opens English Touring Opera’s 2022 Autumn Tour

In his Welcome to English Touring Opera’s 2022 Autumn Tour, James Conway reminds audiences that ‘[w]hen Handel was writing his operas in the 1720s and 30s, it was the only…

Christof Loy’s Tosca opens ENO’s 2022-23 season

There were moments during the first night of Christof Loy’s production of Tosca at the Coliseum, which opened English National Opera’s 2022-23 season, when I thought that I might be…

Eugene Onegin in San Francisco

Symphonic excess in a spiritless exposition of Tchaikovsky’s sacrifice of youthful love. Greek conductor Vassilis Christopoulos came to fame at the Athens Opera with an Elektra, and then gained even…