It’s not often that a Glyndebourne production offers its audience an interactive experience. But, that’s what seemed to be happening towards the close of the final Act of the second…
Category: Staged Operas
A Baroque double-bill from Hampstead Garden Opera
The Cockpit Theatre in Marylebone is typical of the sort of intimate venue in which Hampstead Garden Opera customarily presents its productions, which showcase young singers and musicians in performances…
An irreverent but stylishly sung Imeneo at the Royal Academy of Music
Imeneo, Handel’s penultimate opera, has a somewhat chaotic history. It was the only one of Handel’s forty or so operas to be presented as an ‘operetta’ – perhaps to make…
Damiano Michieletto’s Don Pasquale returns to the Royal Opera House
In one sense, Donizetti’s Don Pasquale hinges on a slap. In a fit of pique, Norina lashes out at the eponymous wealthy, stubborn old man whom she’s duped, when he…
Lohengrin at the Royal Opera House
Considering the first night of David Alden’s (then) new production of Lohengrin in 2018, I found ‘a conceptual weakness at … [its] heart. I suspect it can be remedied: if…
Radamisto in Palo Alto (CA)
In some ways the Philharmonia Baroque’s Radamisto did not disappoint San Francisco Bay Area’s Handel fans. Handel is no stranger at San Francisco’s esteemed Philnarmonia Baroque Orchestra, just now it…
West Side Story in San Jose (CA)
No one can deny that Leonard Bernstein’s West Side Story is one of the bigger moments in twentieth century theater. Its movies may be Oscar worthy films, but finally its…
The Handmaid’s Tale at English National Opera
‘I don’t want to be a dancer, my feet in the air, my head a faceless oblong of white cloth. I don’t want to be a doll hung up on…
Pacific Opera Project Iolanta: Love Is Blind
Estimable Pacific Opera Project (POP) does not always take such bold, bald chances as it has with producing the West Coast staged premiere of Tchaikovsky’s long one act, Iolanta. Far…
Angel Blue excels as Violetta at the Royal Opera House
Another revival of Richard Eyre’s seemingly timeless production of La traviata (first unveiled in 1994) has returned to the Royal Opera House. It provides a further opportunity to hear yet…