MAHLER: Symphonies 1-10

With its recent release of Mahlerís symphonies conducted by Sir Simon Rattle, EMI Classics makes available in a single place an outstanding contribution to the composerís discography.

WAGNER: Parsifal

This DVD records and commemorates a 1981 production of Parsifal in its Bayreuth lair, and the singers of 1981 are as fine as recollection might paint them.

Historic opera performances in Russian on Gala

Once the custom of the world’s opera houses was to translate great operas into the language of each respective country.

Deutsche Grammophon budget opera sets

Repackaging older recordings having become the primary focus of a classical recording company’s business, Deutsche Grammophon budgeted some funds for art direction for its budget series called “Opera House” (although that appellation only appears in a link found on the back inside cover of the sets’ booklets).

STRAUSS: Der Rosenkavalier

Of Rosenkavaliers on DVD, the classics tend to be lovingly detailed productions, going back to the film of Herbert von Karajan leading an exemplary cast, with Elizabeth Schwarzkopf’s iconic Marschallin.

Lamentazioni per la Settimana Santa

Despite an unsurprising degree of conservatism in liturgical music, devotional life in Rome often found ways of taking advantage of modern musical style.

Castradiva

ìHer fioritura is priceless, breathtaking, and effortless.î

ìOne Foot in Eden Still, I Standî: Choral Music by Nicholas Maw.

The English composer Nicholas Maw has been a major voice since the 1960’s, with a wide range of works that include the 2002 opera, “Sophieís Choice,” a violin concerto for Joshua Bell (1993), and the monumentally-scaled orchestral work, “Odyssey” (1972-87).

MOZART: Requiem (Neukomm ed.)

As is often the case, last works that remain incomplete at the time of a composerís death, are quick to invoke controversy and conspiracy theories.

ROUSSEAU: Le Devin du Village

This is a valuable new recording of a work that is only rarely heard, but was widely influential and wildly popular during the eighteenth century. Philosophe Jean-Jacques Rousseau wrote both the libretto and the music, with mixed success.