Based on Hogarth’s 18th-century morality tale in eight paintings and with a pithy libretto by WH Auden and Chester Kallman, Stravinsky’s operatic farewell to neo-classicism charts Tom Rakewell’s ironic “progress”…
Puccini’s flawed Edgar from Opera Holland Park
A “blunder” was the verdict from Puccini’s biographer Mosco Carner in relation to the composer’s rarely performed second opera. Much has been voiced about the shortcomings of Edgar, Puccini himself…
Tosca Revived: Angel Blue, Russell Thomas and Andrea Battistoni at the Royal Opera
The Royal Opera’s venerable production of Tosca – now in its seventeenth revival – is still a great one, but after my third visit in five or so years I…
A vivid concert performance of Handel’s Orlando brings out its magical elements
In the midst of appearances at Garsington Opera as Oberon in A Midsummer Night’s Dream, Iestyn Davies took the title role in one of the sorts of Baroque opera that…
Maximum emotional impact concludes a magnificent Ring cycle from Longborough
Longborough’s last two segments of Der Ring des Nibelungen outline the rise and fall of Siegfried, the demise of the Gods and the eventual return of the Ring to the…
Parts 1 and 2 of the Ring Cycle cherished at Longborough Festival Opera
Der Ring des Nibelungen is the centre piece of this year’s Longborough Festival – all four instalments of Wagner’s epic staged over three successive weeks. That the performances take place…
Revolutions: A magical evening of six new operas by young composers at the Royal College of Music
Often a reviewer’s evening spent at the opera has little to do with the future of the art – arguably, we might sometimes be thinking it is the opposite. The…
Caesar in Saint Louis: Prima La Musica
A musically resplendent presentation of Georg Frideric Handel’s Julius Caesar covered Opera Theatre of Saint Louis in glory. Guilio Cesare in Egitto is number one on Handel’s operatic hit parade…
Saint Louis: Star Gazing with Galileo
You don’t need a telescope to spot the stars in Opera Theatre of Saint Louis’ winning and sumptuous production of Philip Glass and Mary Zimmerman’s Galileo Galilei. They are all…
Così fan tutte at the Royal Opera House
Jan Philipp Gloger’s rendition of Così fan tutte places Daniel Heartz’s assessment of the work as an ‘opera about an opera’ centre stage. It is a so-called meta-reading. Thus, for…